Showing posts with label Tea Tasting. Show all posts
Showing posts with label Tea Tasting. Show all posts

Thursday, October 15, 2009

Lochan Tea Tasting Event

There are a few spots still available for the Lochan Tea Tasting event, which they are hosting on Facebook.

Ankit Lochan
Online facebook tea tasting... We will supply you with 10 ounce of tea (free of cost).. only shipping 20 USD per head shall be applicable.. we will wait for 50 sign up's .. once we have them we will start posting the samples... once you receive ...the samples you will have a weeks time to assess the teas and then we will take one tea at a time and proceed with online posting of the results and we will see what all of us have to offer.. the best review writer shall be awarded a prize.. (the prize is a secret).. to be disclosed after the event is over.. any suggestions.. please advise... thank you... for signing up please confirm on facebook and email us your adress and vivek shall be in touch with you. his email is vivek@lochantea.com ... thank you!!


Please consider participating in the event, which I'm sure will be quite a good introduction to Indian and Himalayan teas. Contact Vivek Lochan with your contact information: Vivek@LochanTea.com. Vivek supplied this list of the teas that will be showcased:

1. Doke Silver Needle, 2nd Flush 2009, Bihar
2. Meghma Oolong, 2nd Flush 2009, Nepal
3. Korakundha FOP, 2nd Flush 2009, Nilgiri - South India... Read More
4. Hattialli Golden Bud, 2nd Flush 2009, Assam
5. Harmutty Golden Paw, 2nd Flush 2009, Assam
6. Margaret's Hope Muscatel, 2nd Flush 2009, Darjeeling
7. Thurbo FTGFOP 1 CL TPY, 2nd Flush 2009, Darjeeling
8. Jungpana Imperial Muscatel, 2nd Flush 2009, Darjeeling
9. Castleton FTGFOP 1 CH SPL, 2nd Flush 2009, Darjeeling
10. Masala Chai, Indian Chai Blend

1 ounce of each tea will be sent to all participants

As for myself, I've tasted teas from only four of the nine estates listed (not counting the chai, of course), so I expect this to be a good learning experience. As you can see from the list, these are all second-flush (picked in summertime) Indian and Himalayan teas from Bihar, Darjeeling, Assam, Nilgiri, and Nepal.

If you haven't dipped your toe into high-quality India teas, this would be a good way to start. Because it's a group event, people will be able to learn with each other as they taste the various teas.

Saturday, October 3, 2009

Review Series Pu-erh 5: "Epsilon" by Yunnan Sourcing

I am excited about the newest sample, ε, which is the final one in the tasting event hosted by Hobbes at The Half Dipper blog. He has identified this as 2009 Yunzhihuan/Ruicaoxiang "Banzhan Chunqing."

This pu is pretty heavily compressed, and it took some doing to separate out the leaves in the beeng. I thought the aroma was quite subdued coming from the package. After the leaves are first steeped, they remain quite quiet about it, and don't have a heavy or terribly exotic aroma. It's pleasant enough, with that tobacco aroma dominating, and a lightly floral texture to it.

Rinse: 10s

First steeping: 13s
The epsilon pu-erh is quite assertive, right off the bat. A bit of bitterness balanced nicely with a sweet quality that makes it very drinkable. Lovely yellow-gold color, light and pure.

Second steeping: 12s
Sweet tobacco, a hint of smokiness. Very crisp flavor, bright and clean. There's a greenness to this, but not much of what I would think of as the huigan, the aftertaste-- the tea remains quite constant in flavor from the moment it hits my tongue, with little variation in the ensuing seconds.

Third steeping: 13s
I'm aware in my mind of Michael J. Coffey's advice not to write about what you're tasting, because it diminishes one's ability to remember the flavors later. Well, I do what I can: I try to taste first, just experience the nondiscursive element; and then later to give voice to it, if I can. This tea has a touch of bitterness, still (and enough that my seven-year-old boy found it a bit too much for him). However, nicely complex, with a sort of leatheriness, perhaps, in the flavor, and a quite sweet burn a few moments after the tea is up.

Fourth steeping: 15s
Astringent and drying, with a full, robust mouthfeel that coats the tongue. The bitterness is still present, but not dominant; and it fades into a nicely sweet tobacco flavor. I wouldn't really think of this as a sweet pu-erh, but it's complex and fun to drink.

Fifth steeping: 17s
Getting a mite twitchy, I must say, after the fifth steeping (on top of the several pots of Darjeeling earlier today). My little boy says, "It has a good texture. It's a little, tiny, tiny, tiny bit bitter." He's seven years old, by the way. He's right: good texture, and the slightest bit bitter. Maybe he needs less pu-erh, because he hasn't stopped talking (about his comic book, The Battle Begins, which he is writing) in the last 10 minutes.

Sixth steeping
I am continuing this steeping onward, as I have with others. If I feel the need to add anything, I shall do so as an addendum later. I'm very much enjoying this particular pu-erh, with its lovely tobacco smell and pretty bright complexity.

OVERALL IMPRESSIONS
This series of tea tastings has been, for me, a great introduction into the world of pu-erh. Along the way, I've made a couple new tea friends, which has been very gratifying. Honestly, for the last couple years I've been very hesitant to try the genre of pu-erh, because of all the pretty terrible press it's received, what with all the faked beengs being sold at ridiculous prices, and the near certainty that I would ruin my palate by learning about pu-erh the wrong way: by drinking lousy tea, made the wrong way, setting up incorrect assumptions. For me, this tasting is invaluable, because it allows me to check my tastebuds against those of other tea drinkers, and to try to understand what they're experiencing as well, in a context in which I'm allowed to simply enjoy myself without guarding myself against being scammed or something by a dishonest pu-erh salesman. Additionally, I got to share this with my family and allow them to have fun learning right along with me. Brilliant fun.

Thank you, Hobbes of The Half Dipper, and Yunnan Sourcing, for opening the door for me to the world of pu-erh.


The above photos: antique green bowl by The Haeger Potteries; Yixing pot by Art Zisha, Zhuxinnan Products, via Bret at Tea Goober; antique tea trays (which perfectly match the orange-gold of the pu-erh, and which nicely complement the green bowl) via my Great-Aunt Lydia Behm; and Tiger Drill hero image by my seven-year-old son. That's his hand in the picture at top. And buster, you haven't seen anything if you haven't gotten a look at his newest creation, "Explosive Cowboy Man."

Wednesday, September 30, 2009

Review Series Pu-erh 4: "Delta" by Yunnan Sourcing

Today I am tasting Δ (Delta), the fourth of five in Hobbes's pu-erh tasting series. As with the rest of the series, I am imitating the video I found on the Wrong Fu Cha Web site, in which a bowl is filled with hot water, and the teapot is brewed inside it, helping maintain high temperature throughout the steeping process. I don't do this because I am definitively saying this is the best way to do gongfu, but rather because I found the video to be engaging and fun-looking, so off I went. The results have been enjoyable, and I hope for the best. I'm writing this instead of sleeping, using tea to get me through a very long night of work. Sometimes, it's better to power through than to sleep. I hope this is one of those times.

And my standard disclaimer: I am not a pu-erh aficionado, and so if you're here expecting an expert's eye overlooking the leaf, wringing from it the secrets of its making, you're in the wrong place. However, if you're new to this type of tea, as I am, perhaps this will convince you to search out some pu-erh of your own and give it a whirl.

THE SHORT VERSION
I drank this tea over the course of two days, with something like a dozen or so short steeps, ranging from about 10s to up to several minutes. The tea provided me with plenty of energy to get through a particularly difficult set of deadlines I faced. The pu-erh itself had a pleasant tobacco shop aroma, with a flavor that changed over time: starting a touch bitter, moving into a sweetly burnt-caramel sensation, and with quite a bit of complexity. If you have not tried pu-erh, or the Chinese way of making deconstructing a pot of tea by breaking it down into many short steeps, I would encourage you to try. For coffee drinkers, I would think pu-erh would provide you with something you could get your tastebuds around, so to speak: lots of solidity and "oomph," and with quite a bit of buoyancy in mood.


Hic Sunt Dracones


THE LONG VERSION
What follows are my detailed tasting notes, which you don't need to read unless you have quite the attention span. I am learning as I go, and this helps me track my experience for future buying decisions (and for general knowledge). Beyond Here Be Dragons and Unduly Long Descriptions of Brown Leaf Juice.

Rinse: 10s
Quick rinse of my new zisha pot, which I picked up during Bret's sale on his Web site, Tea Goober. Bret, thank you for the lovely pot. After the rinse, the leaves take on a rich, darkly tobacco scent, which promises much loveliness.

Steeping 1: 10s
A touch bitter the first cup, so probably a 5s steeping would have served me better for this first steeping. HOWEVER, the second cup of the first steeping (even at this early stage) starts to show me the waking complexity of this cup. Michael Coffey would rebuke me for trying to put this into words, but I want to convey how interesting this pu is to me: it's got a brilliant flavor, but there are so many layers of flavor that reward me when I close my eyes to sip.

The aroma reminds me of the Iwan Ries tobacco my Grandpa Allison used to smoke in his home in Effingham, Illinois. When I'd visit, his immaculate house always carried this sweet-tobacco scent, which I associate with his pipe collection. He never smoked around me (on account of the asthma I suffered under as a kid), but the sweetness of this leaf became one of my Favorite Things. I'd sniff around his pipes and the pouches of leaf he would have on his pipe stand, the wood of which was redolent of tobacco in and of itself. Please don't ask me which specific Iwan Ries tobacco he would smoke, because my memory doesn't carry so far. Strange, how drinking Chinese tea can make me miss my Grandfather.

While I was writing the above, I was struck by the huigan, which is the Chinese term for the sweet aftertaste that rises up in the throat, retronasally. In this case, it's light and compelling, very enjoyable.

Steeping 2: 12s
In spite of my desire to pop that tea out quickly, I just couldn't move enough. All the descriptions of gongfu cha on the Web sites fail to mention how hot everything is, and how fragile. Tea pot burning fingers! Do not drop tea pot, which you just bought. Pour out gently, even while fingers are uncomfortably hot. Suddenly, 5 seconds becomes 12. Chinese people must have fingers made of titanium, to be able to withstand all this hot water. The aroma rising from my wenxianbei (aroma cup) is like caramel, or burnt sugar, and sweet cotton candy. Which are all kind of the same thing, I realize. There's a rich mouthfeel that accompanies that bitterness-- which, naturally, would have been avoided with a slightly shorter steep. So sue me. Happily, I don't mind a touch of bitterness in my tea, though I know it's not truly optimal. As before, the second cup (and subsequent) are not nearly as bitter as at first, so either I'm acclimating to the bitterness, or there's some process in the fairness cup that is mellowing the flavor. My enjoyment rests primarily in the aftertaste, which is complex and lovely, and keeps opening up as the seconds tick.

Steeping 3: 12s
I just cannot pour fast enough, and 12 seconds seems to be about the amount of time it takes me to get the hot kettle back to the stove and then be able to pour off the tea. I do not have a tableside electric kettle, nor a charcoal brazier of the type favored by Imen Shan at Tea Habitat. Nevertheless, I soldier on.
Here, the tea is taking on a much richer aspect in both mouthfeel and distinctiveness of flavor. I wish someone were here to taste this with me, but it's midnight, and I'm trying to energize to work through until morning. There's tobacco, and a tingly mouthfeel I associate with some type of menthol. The orange liquor has remained quite constant. There's a drying aspect to the mouthfeel that has me wishing for a tall glass of ice water.

Steeping 4: 10s
Ah, I'm in the zone, getting in a shorter steep, at last. I begin to understand the wisdom of this type of steeping method. By keeping the pot submerged in quite hot water, it allows the leaves to stay at a nicely warm temperature, no matter how long (within reason) I take between steeps. It probably wouldn't matter as much if I were in of a larger party, were the tea flowed more quickly. But by myself, I think it helps.
At this point, there is a richer sweetness developing, which I find surprising. I've gotten used to the flavor, but now as the bitterness recedes, these other flavors appear. Seriously, lovely, and the best steeping yet. Tobacco is less pronounced, and other complexities rise up.

Steeping 5: 10s
Sigh. I need to get to work, as midnight has arrived. While I waited for the water to heat this last time, I read through accounts of sea serpents (click the map picture above), with lots of amusing and fascinating images of sea monsters, as drawn by cartographers and artists a couple centuries past.
And what does that have to do with tea? Well, tea has water in it. And tea came by ships. And... well, nothing, really. Anyway, the pu-erh: The tobacco flavor has taken on a sharper aspect now, with a smokier character, yet with notes of fruit, like apple or melon, floating on top of the heavier aroma. Very lovely.

I'll continue this journal as I go, in between bouts of work, which I expect to be doing throughout the night. I hope the Qi, or the caffeine+theanine, will help me stay alert and focused.

Steeping 6: 15s
Still going strong, with a beautiful aroma that drifts from the fairness pitcher as I work. A slightly sour honey flavor, with a kind of hay overtone is evident. Really nice.

Steepings 7 through 12 (or so): various lengths
I really rather do like this pu-erh, so I kept it going on into the next day. Perhaps at its 12th steeping or so, I moved on. The tea provided me with the energy to get through the deadlines I needed to finish, and then some. The pu's flavor and aroma remained pretty steady, without much variation after about the 7th steeping.

Saturday, September 26, 2009

Review Series Pu-erh 3: "Gamma" by Yunnan Sourcing

And this our life,
exempt from public haunt,
Finds tongues in trees,
books in the running brooks,
Sermons in stones,
and good in every thing.


Drinking tea often sets me to musing. In my last pu-erh tasting, I made reference to the sophistication of this pastime, and how oh-so-nuanced it all was. But here, I think almost the exact opposite: that I'm experiencing something primal, something ancient, perfectly tuned to nature and her wildly exuberant fancies.


With this tasting, I have been enjoying thoroughly pu-erh of a quality that I had not experienced before.


For the gamma bing, I followed roughly the same method of tea preparation as with the previous: I kept a large bowl of very hot water, in which I mostly submerged my teapot and prepared my tea with a fairly large amount of leaf and many short steeps.

Once I rinsed the leaves, they took on a pungent, complex, almost chocolate aroma, which I found intoxicating. I had hoped the aroma would carry into the cup, but alas, they diverged.

At the very first, the tea leaves seemed hesitant-- or, perhaps I should say, I was unable to bring out a very strong flavor. But then . . . well, I'll let you read my notes.

Steeping 2: 12s
Amen, hallelujah. The second steeping smells like Pau D'arco, and like the Forest of Arden. The first sip of the cup was truly weak; but then after it rested a few moments in the fairness pitcher and was poured, the flavor awoke: sharp, rich mouthfeel, indescribably complex. Still a bit on the light side.


From there, the tea progressed through an entirely pleasant session, with a beautifully woodsy and airy cup. Throughout the experience, the tea remained fairly on the light side, which I found surprising-- remember, my previous experience with pu-erh had been with shupu tuochas, which were pretty intense and rather heavy by comparison. This was almost wispy, with this woodsiness (that Forest of Arden aroma) that I described earlier.

Thank you again, Hobbes, for a lovely tasting event. I'm trying to keep up! But, alas, a too-busy schedule put me behind. I'll be adding my tasting notes for the last couple samples in the next couple days.

Here are Hobbes's introductory remarks about the identity of this mystery pu-erh, which is 2009 Yunzhiyuan/Ruicaoxiang "Bulangshanyun." Please read the rest, and enjoy!
"Gamma" is the "Bulangshanyun", which by coincidence or design is the same name as the dreadful "Bulangshanyun" from Puerh Shop that I lamented a few days ago. Yunnan Sourcing notes that this cake was made from 2006 maocha from Mannonzhai [winding-lane village], near Hekai, some 20km north of Banzhang.

Tuesday, September 22, 2009

Review Series Pu-erh 2: "Beta" by Yunnan Sourcing


"Fear is the only darkness."

The beauty of gongfu is the opportunity to drink tea as you read a book: in progressive chapters with a beginning, a middle, and an end. -- The 39 Steeps Compendium of Brilliant yet Rather Commonplace Musings.


I freely admit, my gongfu is white belt, and I thus have some trepidation about adding my observations about Yunnan Sourcing's β sample, as part of The Half Dipper's special pu-erh tasting event. Nevertheless, Grasshopper, I will dare to go where tea masters should slap me silly.

For more of background on pu-erh tea, including some introductory material, please skim my other thoughts here. In the past I had only experienced shu pu-erh, which means the leaves had been oxidized in such to imitate of how green (sheng) pu-erh tastes after a few years of fermentation. This is an entirely different experience.

THE LEAVES
β is a green pu-erh, pressed in 2009 and distributed by Yunnan Sourcing, a reputable dealer in pu-erh. The cake was pressed quite tightly, but in such a way that I could easily separate the individual leaves, jigsaw-puzzle style, from one another. I noticed quite a bit of silvery tips among the darker leaf. The attractive aroma is like sweet, Southern barbecue: honey, smoke, hot spice. After the initial rinse, the leaf took on a warm, tobacco and mulch scent.

THE PREPARATION
As I did in the α pu-erh sample, I roughly imitated the Chouzhou pu-erh preparation style found here. I have taken extensive notes on the multiple steepings I enjoyed, but I'll summarize them here for the sake of brevity.

THE SUMMARY
After the rinse, the first four steepings (ranging from 10s to 15s) revealed a richly golden-orange colored liquor with a distinctly sweet green herb and tobacco flavor, along with some bitterness (which may easily be attributed to my gongfu ability). Upon the fifth steeping, however, the tea had arrived. The bitterness was gone, and it left a lovely, honey-sweet, herb-and-tobacco note; it reminded me of a decent white wine, in its delicate boldness and its balance between dryness and fruit.


AND... THE LONG VERSION
Please feel free to skip this part, because it's been summarized above. I do wish to preserve my notes here, however, for reference.

Rinse: 10s

Steeping 1: 13s
I originally intended this to be a 10-second steeping, but because my pot has a seven-second pour and I started pouring right as I counted to 10, I realized I had oversteeped slightly. Ah, well. The golden-orange, transparent liquor (thought with some leaf dust at the bottom of the fairness pitcher) is honey-sweet, but also has a bitterness at the back of the throat, which I attribute to my oversteeping. A green, tobacco flavor is primary, though without any smokiness. Light, sharp, bright. This is enjoyable and memorable.

Steeping 2: 11s
I didn't know what to expect from a green pu-erh, but I suspected it would be very harsh (per other descriptions I had read). This has probably the same acerbic quality I find in many first-flush Darjeelings, and a fair bit of bitterness, as well. But it's balanced against the honey-like sweetness in the liquor. I have no idea whatsoever how this would age, but as a self-drinker, I must say it's enjoyable enough, and has quite a bit of sophistication, of complexity. The green, sweet herbal quality becomes very evident in the huigan [sweet aftertaste, primarily recognized retronasally: that is, from the back of the throat, rising up to the nasal passages], after the bitterness has toned down on the tongue. Now, I hasten to add, a seasoned gongfu master would doubtless be able to massage the sweetness out of the leaf and avoid the bitterness; but I must do with my own level of knowledge, and this is what I get.

Steeping 3
At this point, I am noticing again a slight sensitivity in my stomach to the green pu-erh, which I'm counterbalancing with French bread. As I sip and nibble, I am thinking of what a sophisticated pleasure this is, like Cuban cigars. Not that I have ever had a cigar, Cuban or otherwise. Sadly, musing thus broadcasts how unsophisticated I am, because the truly sophisticated would never think such a boorish thing. (And do notice how many times I can use the word, sophisticated, in a paragraph.)

(If you want Tony Santana to roll cigars for your wedding, do click here.)

Steeping 4: 15s
The green/tobacco flavors are still very strong, with that sweet aftertaste growing more distinct as time goes on, though with that bitter edge (not entirely unpleasant).

Steeping 5: 13s
Bingo. Suddenly, it seems the true quality of the tea has arrived. Sweet, light, beautiful tobacco-and-green herbs flavor. The first four steepings now seem like the time spent in the restaurant bar, waiting for the table, and I could drink this all day long. It's smooth and bright, just about perfectly to my liking. Where did the bitterness go? Suddenly, it's all sweetness and mild astringency, a bit like a fresh, slightly fruity but dry white wine. With the bitterness in abeyance, I begin to notice the full mouthfeel, which coats my entire mouth and throat. Truly nice.

Steeping 6: 14s
Crisp and light, without a trace of bitterness. Gorgeous. Writing summary now.

Steeping 7: 15s
Again, very crisp, like a white wine. After all these steepings, I'm feeling quite good energy and focus. I rather wish I could start my day with this feeling. The aftertaste reminds me of a good Darjeeling, with the pleasantly acerbic lightness coupled with that sweet quality. It interests me to find that highgrown Darjeelings and pu-erh can produce such a similar huigan, and I don't really know why that would be. At this point, I can see the tea settles into this sweet dryness, and seems to be maintaining that quite nicely. I will keep steeping this, but suspending the notes here. If I feel it necessary to add something later, I will do so in an update.

Thank you for reading!

Thursday, September 17, 2009

Review Series Pu-erh 1: "Alpha" by Yunnan Sourcing

I am delighted to be a part of a Pu-erh tea tasting, hosted by Hobbes at The Half Dipper blog, with the leaf generously provided by Yunnan Sourcing. Yunnan Sourcing has been getting some very favorable attention of late as a helpful source for Pu-erh teas, which originate in this region of China. And if you haven't read Hobbes's limpid prose, please wander through his blog and enjoy yourselves.

[UPDATE: Hobbes posted about this pu-erh here, and it is called the Yunzhiyuan Ruicaoxiang "Yiwuzhidao Guafengzhai." Ironically, that was exactly what I was going to guess.]

A quick bit of background: I am not a pu-erh aficionado, but rather a passionate tea enthusiast, and so I cannot identify which year's vintage of which factory a pu-erh might be. My tea life has been spent steeped (so to speak) primarily in the Himalayan teas of Darjeeling, Nilgiri, Sikkim, and Nepal, and I discovered pu-erh only a couple years ago.

Now, as I spent time reading an heroic amount about the broad topic of pu-erh, I discovered that the "pu-erh boom" had just gone bust, and that a dismaying amount of counterfeit pu was floating around, muddying up the waters so much that a newbie like myself had very little chance of getting his hands on a verifiably decent bit of this leaf that I would be able to afford; and besides, I had no idea how to prepare it or what to expect. Because I did not want to drink low-quality pu-erh that would inhibit my ability to develop an informed palate, I stayed away.

Cut ahead to this last year, and I've now had several examples of pu-erh, which I consumed happily, knowing full well that I had no idea what I was doing, nor the quality of the leaf I was drinking. A fun (though not terribly educational) time was had by all, and my pu-erh adventures can be found here.

When Hobbes sent out an open invitation to be part of a pu-erh tasting, I jumped at the chance. At last, an opportunity presented itself to learn something in the presence of those vastly more knowledgeably than I. I anxiously awaited the package, and when one arrived (with return address in Chinese characters), I tore it open . . . and found that this is a blind tasting, and the bags are labeled, "Alpha," "Beta," . . . "Epsilon." In a way, this is a good thing, because it throws me back on my palate, my observation, and my sense of adventure.

PREPARATION
I recently watched a video in which the proprietor of the "Wrong Fu Cha" blog made a pot of pu-erh in the Chaozhou gongfu style, which involved keeping the Yixing pot in a vessel of hot water to maintain temperature. You can watch the video here. I was glad to see tea preparation done in a way I could conceivably imitate, and so I did. The only thing the video does not show is how often it's necessary to empty out the big bowl as the water cools and needs to be replenished. When you're doing 6 or 8 or 10 or more steepings, be prepared to dump and refill any number of times.

THE LEAVES
Dry leaf: pretty well compressed, and the leaves came apart with a bit of effort. I didn't want to break the leaves, making the resultant brew more bitter, so I took my time with this, separating the leaves like pieces of a puzzle. The dry leaves are quite green (sheng, I believe), not black, so this is not a cooked pu-erh (shu), but rather one that is intended for long-term storage, perhaps? I would imagine so. They have a bit of silver, a bit of woody stem to it. The aroma is like blackberries, to my nose; and a bit like the oak smoke campfires I grew up with, when we vacationed in Michigan.

THE TEA FLIGHT
As longtime readers of this blog (both of me) know, I write fairly extensive tasting notes here, which I use to help me remember the experiences and make purchasing decisions. Do feel free to skip to the bottom, where you can find my OVERALL IMPRESSIONS. Kind of like skipping all the boring plot and character development and going straight to the epilogue, when skimming a book right before a test.

Rinse: 10s
I use a quick rinse to awaken the leaves, then pour off into my wenxianbei [aroma cup set] and fairness pitcher, and get everything ready for the real action to follow.

1st steeping: 15s
Lightly aromatic-- again, like the campfire aroma of the dry pu-erh leaves, and like blackberries and oak impressions. What a surprisingly light, rich flavor for a first steeping. I know green pu-erhs are reportedly quite bitter and harsh, but this is not like that at all. (First time, as I mentioned, too much leaf did lead to a bitter experience, but this time it's great.) This stuff is addictive. The berry and smoke notes are superseded by a roasted honey taste in the huigan, which is the sweet aftertaste that Hobbes has explained thoroughly in his blog. This cup of tea is a lovely, pure yellow-gold color, not the deep brownish-orange I have experienced with other pu-erhs of my acquaintance.


As a side note, sipping this reminds me a bit of the first time I had a high-quality Lapsang Souchong, produced in Dong Mu village, where this type of tea originated. While I had had LS before, I had never had the real deal, and the difference was telling. Here, too, the gulf between this beeng and the little tuochas I've had before is quite wide. The subtlety is pleasing, and I begin to understand what all the fuss is about.

And by the way, Hobbes, if you have braved my torpid prose and prolix description this far: Thank you again for your great advice on enjoying tea, which you wrote a couple months ago. I would by no means feel brave enough to present my thoughts about this pu-erh, much less one presented to me in a blind tasting like this, had you not written so encouragingly about simply enjoying the experience and not allowing other, more knowledgeable writers drive me into silence about the topic. While my gongfu might not be black belty enough to be informative to more experienced drinkers, perhaps people who have not drunk pu-erh might find this helpful, and it might encourage them to try this strange and surprising genre of tea.


2nd steeping: 15s
Still, the first impression is, "campfire." This is really a very specific sense memory, which comes from countless hours poking sticks into fires made primarily of oak hardwood, and cooking marshmallows, and being allowed to play outside after dark. In other words, an entirely pleasant memory evoked by the smooth, fruity woodiness of this tea. The flavor is quite consistent with the first steeping, though with a slightly more drying, acerbic quality and a warming in my stomach. I am told green pu-erh can be a bit rough on the stomach for those not accustomed, so I hope this isn't going to pose a problem. I would be interested to find out what Hobbes thinks of this, and how he thinks it will mature over time.

3rd steeping: 10s
The overall impression is this hardwood campfire smoke, with a lingering sweet vanilla and blackberry flavor hiding at the back of the throat. I'm delighted I had enough of this tea to try a second steeping, because this experience is rich, quite fun, and provides for a lot of surprises. Vanilla notes? Not what I expected. (Perhaps the vanilla is really how my senses translate the sweetness and smoothness, which is overlaid on top of the drying sharpness. Sweet, smooth, dry, sharp. I can see my description makes no sense whatsoever. As we said in high school, "I guess you had to be there.") The pu-erh has a really meaty mouthfeel, which coats my entire mouth and throat.

4th steeping: 13s
Denser minerality to the taste this time. Minerality is the word I'm using to describe the shift from a smoky flavor to something sharper, brighter. The woodiness is still there, but mostly to be found in my wenxianbei [aroma cup], which is a tiny cup that can be held up to the nose and sniffed. When smelling the aroma cup, the lighter, head-note smells seem to arrive first, to be followed by the middle and then lower notes. This has something to do with the rate at which the different catechins and flavinoids and whatnot (for tea has a very complex chemistry) are released into the atmosphere. Anyway, the greenness of the tea is more pronounced now, as the tea begins to hit its stride.

5th steeping: 15s
I've read that a proper pu flight doesn't really start until the fifth steeping. It's here that most of the storage aromas are gone, and the true character of the tea begins to be revealed. I've read that some tea drinkers will just toss the first four steepings as unworthy of attention, but I'd hate to miss out on any part of the experience. On the other hand, if a tea is 20 or 30 (or 60?!) steepings in duration, at that point you might as well skip to the good stuff. To me, this tastes of roasted honey, and a very high, light fruity note that seems to come up from behind, after the richer, darker note: like a flute and an oboe hanging in the air after the rest of the orchestra has fallen into silence.

I am really liking this.

6th steeping:
Decidedly lighter. The aroma is much harder to discern, but the flavor and the mouthfeel/texture is still quite bright. Again, I would probably describe this as having a metallic quality, which I'm using to try to convey a complexity and sharpness. Lovely flavor at the very back of my throat (necessary to slurp a bit to cause this experience to occur), of blackberries again, and woodsmoke, but now the sweet honey has receded. When my tastebuds are allowed to relax for a minute or two after sipping, a lovely perfume rises up in the throat, floral and delicately light. It's very easy to drink, very welcoming.

7th steeping: 17s
I wish, dear reader, you were here with me, because right now you'd be smelling the delicious aroma from the cup of pu-erh, which greets me upon each steeping. This no longer makes me think of a campfire, but rather a delicate brightness.

OVERALL IMPRESSIONS
This tea can clearly go on a bit further, but I am going to suspend the review here because my stomach is starting to feel a touch tender. I'll update tomorrow, perhaps, if I have it in me to keep this steeping going later tonight. At any rate, what a lovely, delicate, complex tea this is. I have no skill to be able to tell you where it comes from, but I can say this is easily the best pu-erh I've ever drunk. I can't wait for the rest of these pu packages, so I can start to compare notes among them. Though it's evening, I feel energetic and relaxed from the tea. Perhaps it's Qi, the Chinese concept of the divine energy that flows to me from the tea; maybe it's a combination of theanine and caffeine. Either way, I feel great (except for mild upset of my stomach) and look forward to a good evening. Thank you again, Hobbes, for allowing me to be a part of this tea tasting.

Cheers, all!

Sunday, August 2, 2009

Chicago Tea Writers Confab


"I am quite certain, no better tea was drunk in all Chicago tonight, or with a more appreciative group of new friends."


THE CHICAGO TEA WRITERS GATHERING

Yesterday I had more fun drinking tea since... well, I can't remember when. Tony Gebely (World of Tea blog) and I met at the Chicago home of Lainie Petersen (Lainie Sips blog), where we proceeded to dive deep into our shared enjoyment of tea and respective treasure troves. And we took no tasting notes, save some short blurbs on Twitter. Lainie, our generous host, pulled out several sets of beautiful teaware appropriate to each tea flight. In all, we spent about six hours together, gravitating toward Chinese teas, served gongfu style where appropriate.

While Lainie, Tony, and I shared the teas we each brought, we got to know one another better; stories about how we came to love tea, and our thoughts on tea culture in the U.S., and so on. We came to the odd realization that we were undoubtedly drinking the best teas in all Chicago at that moment. I hope we can build on this gathering to become a vibrant part of the U.S. tea Renaissance.

We each had brought quite a number of other teas to the gathering, all of them excellent, but these were the ones we decided upon. (Lainie and Tony, if you have anything to add or corrections to make, please let me know.)


A TEA TORRENT (in two acts)

ACT 1: Lainie Petersen, host

  • Silver Needle white (Jing Tea). Lainie provided this lovely palate cleanser, a lovely Silver Needle white (Fuding Bai Hao Yin Zhen 2009) from Jing Tea, which I'd tasted before, when they sent me a generous sample. I'm not a white tea aficionado, by any means, as I find it to be too subtle for my taste; but as a palate awakener, it was perfect, and Lainie managed to serve it in such a way that it woke up my interest with some subtler notes in evidence that I hadn't noticed before.
  • Jasmine Yellow Buds (TeaGschwendner). For once, I found a jasmine tea I could drink. Lainie pulled this from her Cave of Wonders. When I smelled the package, I thought I wouldn't like it at all, because the jasmine scent was very strong. But when she steeped the tea, I discovered this yellow tea, scented with jasmine, is more subtle than I had thought. It's a yellow, not the typical green. I cannot find this specific tea on the TeaGschwendner Web site.
  • Pre-rain Organic Anji Bai Cha green (Jing Tea). I love this tea, and I had also written it up here. I convinced Tony to nibble on the leaves before drinking, and we all enjoyed the intense, light, refreshing complexity of this tea.
  • Honey Orchid aroma gold medal #1 2008, single-bush Dan Cong oolong (Tea Habitat). I pulled this one out, and Lainie and Tony were blown away by the long twists of leaf and the intense, ethereal aroma. Lightly roasted, the tea has quite an easy touch. I introduced this to Lainie and Tony, who had not had Dan Cong before. A great start.
  • Super Tie Gwan Yin oolong (Hong Tea). This was Tony's first contribution to the flight. Daniel Hong is a friend of ours, a tea farmer in China who writes about his tea in his blog, Hong Tea Dao (link above). When Tony compared the regular to the Super, he was amazed by the difference between them and the intensity of the latter. This is a superior, complex tea. As a side note, Daniel wrote earlier this year about a red-tipped TGY that he was personally overseeing, a varietal that is very difficult to maintain and manage, and I'll have to follow up to see how that came along. For Iron Goddess, Hong Tea is a purveyor to keep an eye on.
  • Fujian Golden Monkey (Teaism). Honestly, the exact order in which we drank the teas is a bit muddled in my recollection, but I'll do the best I can. But after the lighter offerings at the beginning, we moved on to the deeper, richer Chinese teas. This tea, provided by Lainie, was a Teaism offering. The Golden Monkey was a bit on the heavy side for me, but it's definitely one of Lainie's favorites.
  • Ju Duo Jai 2009, single-bush Dan Cong oolong, Almond Aroma (Tea Habitat). I was a bit surprised by Tony's and Lainie's exuberance over this tea. I mean, I like it, but I thought Lainie's head might lift off her body and float about the room, such was her delight. She is an almond fanatic, she says, and this tea (while not being flavored with almond) rather makes one think of almonds. What I find interesting, over the multiple steeps we got from this tea, is how strong the flavor is over the course of the flight.
  • Yunnan Gold Silk (Dream About Tea). I don't remember when we drank this. It is a spicy, lovely, affordable Yunnan. We discussed the Cha Dao Web site, and how one of their writers made an extensive study of Yunnan teas, well worth reading.
  • San Mao Pu-erh. This was from Lainie's stash, though I don't know the provenance. Lainie provided a few steeps from her dedicated pu-erh Yixing pot. It wasn't a connoisseur-level tea, perhaps, but it was enjoyable, and Lainie assured us it was a strongly energy-boosting tea. Of course, buried as it was within the deluge of other teas, I can only surmise about how it would be by itself. We didn't steep it too many times.
  • 20-year-old Tie Guan Yin (Hong Tea). (See notes below.)
  • You Hua Xiang 2009, single-bush Dan Cong oolong, Pomelo Aroma (Tea Habitat). This was, for me, the highlight of the evening. Lainie started serving Tony's intensely roasted 20-year-old Tie Guan Yin, which came from our friend, Daniel Hong. The first few steepings were very much about the roasty flavor. Then we popped open the Pomelo Aroma dan cong, which had been provided by Imen Shan of Tea Habitat. This lively, intense tea was pure and intense, with the fruity-floral aroma of the Chinese pomelo fruit, which is something of a melon or grapefruit, apparently. Then we decided to drink the two teas against each other, steep for steep, using one of Lainie's Yixing pots for the TGY and a tiny glass pot for the DC, and two sets of drinking and sniffing cups (wén xiāng bēi, 聞香杯: Thank you, Michael J Coffey) from Lainie's cupboards. The contrasts between the dark, roasted complexity of the Iron Goddess of Mercy against the intense but light Dan Cong were outrageously delicious (to steal Lainie's word). I was more drawn to the light Dan Cong, while Tony preferred the depth of the Tie Guan Yin, and Lainie seemed divided. Interestingly, the DC seemed quite consistent in flavor/aroma (prompting me to note that the dan cong seemed as intense on the seventh steep as it was on the second), while the TGY was changing pretty dramatically from steep to steep, as the roastiness gave way to the more characteristic oolong complexity. The TGY leaves were perfectly black and rather scary looking, reminding me of the black blob creature that comprised the black suit worn by the hero in Spider-Man III. The DC leaves were so long and perfectly formed, and they opened a bit more quickly than the TGY. For me, pairing the two teas allowed each sip to be fresh and intense, rather than losing interest. I was impressed at how strong both teas were after maybe seven steepings each, when we ran out of time. Lainie kept the two teas in the refrigerator and planned to continue steeping on into the next day. I'll be interested to find how far they went.

ACT 2: Dream About Tea, host Hong Wu

After all of that beautiful, complex, amazing tea, we were elevated and delighted (and in my case, quite chatty, whereas Tony seemed to be relaxed and peaceful, and Lainie remained ever the competent and generous host). Lainie, Tony, and I decided to move the party on to Dream About Tea, where Tony left after a good look at their serious collection of teaware, pu-erh bings, and loose-leaf teas. Lainie and I tasted the following:
  • Pu-erh. This had been extracted from a seven-layer bing and served in a tall, clear glass, and was fruity and light. As I got down toward the bottom of the glass, where the pu-erh had fallen, the brew would get quite bitter, and I would then refill the glass and drink the light, sweet, fruity tea again. I'll get you the exact title of this tea when I can. Dream About Tea is about to open their online store, and these teas will be able to be shipped directly.
  • Lu An Gua Pian, green tea. Lainie had this one, which I tasted, and it was big, full, green leaves and quite refreshing.

OVERALL IMPRESSION

Well, I'm sure I forgot something, and I wish I had written at least something down at the time, so I wouldn't have to rely on my shaky memory two days later. I was delighted to meet in person the two other tea writers that I know of that live the Chicago area. Together, we were wondering at the fact that Chicago, being a world-class city, has not developed its tea culture in the same way Washington, D.C., or New York, or particularly San Francisco have. This is not to say there are not some serious tea companies here (Ten Ren, Chicago Coffee & Tea Exchange, TeaGschwendner, Dream About Tea, and Todd & Holland spring to mind). But nevertheless, we were thinking about the fact that we live in a coffee-drinking culture here, and it's rare to come across another tea drinker. We'll be exploring that together in the future.

Drinking so many first-rate teas was delightful and invigorating, and I wish everyone could have this experience. Tea is a great way to make new friends.

Thank you, Tony and Lainie, for coming together like this. And Lainie, you've been a great host. Cheers!


>> UPDATE:
Well, with any post of this sort, there were bound to be some mistakes and omissions that needed correction. Above, I added Jasmine Yellow Buds, by TeaGschwendner; finished writing the Super TGY post that had been partially deleted; corrected the names and attributions of Lainie's teas; corrected the steeping method of the 20-year TGY; and added in the name of our host at Dream About Tea.

Wednesday, July 22, 2009

EVENT: TeaGschwendner "Taste of the Himalaya" tea tasting


Tonight I attended TeaGschwendner's Algonquin store event, "Taste of the Himalaya," hosted by Sam Ritchey. I'll blog in detail about the event later.

But quickly, I would urge tea lovers in Scottsdale, Chicago, or the Western suburbs of Chicago to visit TeaGschwendner and taste their Darjeeling and Nepali teas. In the U.S., they have the best variety of this type of tea that I've ever seen.

Thanks, Sam, for such a great event.

Monday, May 11, 2009

EVENT: "Spring Tea Festa," Fang Tea



For any New Yorkers out there, Fang Gourmet Tea will be hosting a tea tasting and workshop on May 16, 2009, between 11 a.m. and 4 p.m. In particular, they will be discussing the 2009 Spring-picked White Monkey Tea. I quote their Web site below. I wish I could go!

With its successful tea art and culture expo in February 2009, the Fang Gourmet Tea is glad to invite community residents from all age groups and cultural backgrounds to join the “Spring Tea Festa” on Saturday, May 16th, 2009. In this exciting and elegant event, visitors will be able to experience the wonderful art and culture of fine Asian tea through tea sampling and workshops.

Wednesday, April 1, 2009

REVIEW: Tea Gschwendner tasting, final impressions

(This is the final review of the Tea Gschwendner tasting of their Edmon's Collection, which I've broken over a number of posts. Each individual tea received its own post, and they were originally posted in Facebook.)

OVERALL IMPRESSIONS

I loved drinking all this tea. After the eight cups of wonderful teas (even the teas I wasn't crazy about), I was in a very elevated state-- not hyper, as you'd expect to feel after drinking lots of coffee, but rather relaxed and very alert and upbeat.

I'm so thankful I live near this place, and that I can have experiences like this. I may not be able to travel to Europe right now in my life, but this doesn't mean I'm bereft of opportunities to really awaken my senses and my mind.

And I really enjoyed all these very different teas, one after another. Typically I have one pot at a time, and of course you can't have wildly different experiences one after another that way. It's in the contrasts that so much pleasure was derived. Perhaps I need to get a tiny pot and make lots of different teas in sequence, so I can get this feeling again.

THANK YOU for reading, if you've gotten this far. Cheers, and enjoy your tea!

REVIEW: Assam Mangalam, Tea Gschwendner

ASSAM MANGALAM

This is the second cup I wrote, "Meh," on the page. Didn't like it, wouldn't buy it again. But I'm glad to have tasted it!

LEAVES
The dry leaves were black, tightly wound, with golden stripes throughout. It was striking to see the dry leaves next to the previous Oolong, which had silver stripes on the leaves. Wet, the leaves took on a dark, rich brown color.

THE CUP
Drinking this, it took on a mahogany brown color. Apparently, it is considered a "self-drinker," which means it is a tea that has well-rounded quality and flavor and does not require blending. It had a very ordinary, black tea taste. Again, a bit like a Twinings blend or something. I believe that I'm noticing this flavor profile, because about 97 percent of all India teas come from Assam-- something like that; I'm not a numbers person-- whereas only a tiny proportion of the teas come from my favored Darjeeling.

Anyway, this tea definitely benefited from being paired with a tiny creme brulee, the sweetness of which helped me drink this very strong tea. Obviously, not my style.

REVIEW: China Fancy Oolong, Tea Gschwendner

CHINA FANCY OOLONG

Okay. I know there are like 10 million amazing oolongs out there. I used to drink lower-quality oolongs in the early days of my tea imbibing, and I just couldn't love them. Undoubtedly, I was steeping them at too high a temperature, and I'll have to look into them again.

The China Fancy Oolong is not really what I would think of as a top-drawer tea: it's rather an ordinary oolong. I've read serious and scary tea connoisseurs who have much to say about oolongs, and I know I'm a complete rube about this topic. Nevertheless, forge on! Drive the last remaining reader to tears of boredom!

THE LEAVES
These are dark brown, huge leaves, with a reddish cast and lots of stem. When dry, the leaves had a greenish tinge with silver stripes on the leaves.

THE CUP
Golden-brown in color. The flavor is very different from the other entries here: it has a very big mouth feel and a very complex flavor. Which I like, if I haven't made that obvious yet. The first impression is one of fruit-- perhaps orange, or peach, or other citrus. It also has a cedar or woody flavor floating.

This is a pretty heavy, malty cup (compared to the others here, at the tea tasting at Tea Gschwendner in Algonquin). Apparently, it's a Yunnan province tea, which is supposed to be heavier and darker than your Taiwan teas.

REVIEW: Ceylon Lovers' Leap OP, Tea Gschwendner

TEA GSCHWENDNER
EDMON'S COLLECTION
CEYLON LOVERS' LEAP OP


The Growing Conditions
In Ceylon, they don't use the SFTFGOP designations, like they do in Darjeeling. OP can be used to describe a very high-quality leaf. Ceylon is an island shaped a lot like a teardrop, with a mountainous region in the center. The teas grown on this mountain are called Highgrown, and that is the designation that people look for when getting a high-quality tea from this region. This tea is grown dead center, by the capital of Sri Lanka, at around 4000 to 5000 feet elevation.

THE LEAVES
Here the leaves are slowly becoming more brownish in the cup. The very brown steeped leaves have a lot of broken leaf, and it has a strongly ashy smell, like cigarette butts. I don't mean this in a derogatory way, though; it's a nice smell that reminds me of ciggies, but isn't repulsive.

THE AROMA
This tea smells very much like what I think of as a "normal" cup of tea-- in other words, the kind of teabag tea smell I'd expect from a cup of Lipton's or Twinings.

THE FLAVOR
This tea has sharp elbows. It's a bit bitter and has quite an edge. I wasn't terribly impressed by the flavor of the tea... BUT, I found the tea saves its best for last. It's in the aftertaste, the very long finish, that the complexities of this tea become evident.

This isn't a tea I'd probably buy again, unless I was completely bored of my Darjeelings. In fact, I just noticed the word, "Meh," in the margin of my notes. That being said, I can see why people love this, and I would be happy to serve it to other people when they come over.

REVIEW: Darjeeling, Lingia Estate, 1st Flush, Tea Gschwendner

TEA GSCHWENDNER
EDMON'S COLLECTION
DARJEELING LINGIA FIRST FLUSH


LEAVES
This is the first time in my experience [at this tea tasting at the Tea Gschwendner in Algonquin] that the smell of the wet leaves was similar to the smell of the cup. Typically, the tea leaves and the cup are very different. That's not a bad thing, because smelling the leaves adds a different note to my experience, and makes it more fun. But here, it was delightful to have the tea itself share the highly fragrant quality of the wet leaves: a complex smell like cherries, and honey, and ash, and maybe some vegetal notes in there. It's those layers of smell that are so intoxicating, because you have to tease them out to understand what you're experiencing.

THE CUP
Pure gold color, transparent.

THE FLAVOR
Mild, ascerbic, and there are these cherry and honey notes that I was tasting, undoubtedly picking up because of the rich aroma of the cup. Perhaps I wouldn't have noticed this flavor profile so much if I hadn't been able to integrate my sense of smell so much into the experience.

THE PAIRING
This was paired with the homemade oat and chocolate Hobnob cookies. I kept the chocolate-dipped part until last, because I didn't want the choc. to interfere with the taste of the teas. I know a lot of people swear by chocolate and tea, but I think with very delicate and complex flavors, it's best not to compete.

THE FLUSH
This is last year's first-flush Darjeeling. The new first flushes come in April/May, and it's just a bit too early in the season. I would love to be in Darjeeling next month! I wonder how tea flowers smell when they're still on the live plant.

REVIEW: Nepal Jun Chiyabari, 1st Flush, Tea Gschwendner

TEA GSCHWENDNER
EDMON'S COLLECTION
NEPAL: JUN CHIYABARI, FIRST FLUSH


This is the first time I wrote in my journal, "MUST BUY," during this tasting.

THE TERROIR
Apparently, there is a wide swatch of Nepal in which the terroir-- the "placeness"-- is quite similar to Darjeeling. The conditions are very alike: 4000 to 5000 foot elevation, and so on. In Nepal, though, the teas are grown on very small tea farms (rather than Darjeeling, where the estates are large). This allows the teas to have a wide variety of preparation styles. Also, I've learned elsewhere, because the farms are so small, the Nepalese tend to have more organic growing practices.

(REVIEW WAS BROKEN HERE FOR TIME, AND RESTARTED... HERE)

I want to finish reviewing the Jun Chiyabari tea from Nepal, because it was amazing.

When I describe it, it sounds like any other high-end Darjeeling: the color of the cup is a transparent golden liquor; the flavor is grapey (that Muscatel everyone jaws about, apparently); it's a bit astringent, or dry, to the tongue....

But the response I wrote was, "Mm, mm, mm," and then put a big star next to it in my book, with a "BUY" on the page, with arrows pointing at it.

I think the thing that sets it apart is the scent. When I'm drinking, my sense of smell is very strongly engaged. But I've always been like this. I have an herb garden that I cook from occasionally, but mainly I like to rub the leaves and smell them. When I go to the botanic garden, I have to touch, and smell, and taste all the leaves in the food garden. And gross smells really bother me.

So a tea like this is just a feast for my nose as well as my mouth. I only hope, when i get it home, that I'll be able to recreate or improve on this experience.

Well, that's enough shilling for Tea Gschwendner on this tea. On to the next one!

REVIEW: China Qingshan Lung Ching (Dragonwell), Tea Gschwendner

TEA GSCHWENDNER
EDMON'S COLLECTION
CHINA QINGSHAN LUNG CHING

This is the famed Dragonwell tea I've heard so much about. Apparently, the story goes, the tea has some relationship with a well, in which lived a dragon, or something. Maybe the dragon liked a good cup of tea?

Sam Ritchey prepared us for this tea, saying to expect an oceanic flavor, with a salty, nautical smell, I guess.

First thing i noticed was the strong, wonderful smell as the tea was brought to my table. I want to mention here, the scent is the first thing I kept noticing about all these teas (except the first one, which was very quiet in its smell). It was such a delight to keep being carried on these scents, which were so different from one another.

This Dragonwell had a very fragrant, dry smell.

THE LEAVES
Interesting: the green leaves (fairly big in size, as all the leaves in this collection were) were flat, instead of rounded or coiled like the others; like they were pressed in a book. When I asked about it, Sam said that the teas were seared in a wok-like pan and pressed by hand against the side of the wok. Because there is a little bit of tea oil on the side of the pan, the leaves are actually fried in oil, in a sense, and the resultant tea has a tiny bit of oil that floats on the surface. There was a lovely scent to the wet leaves: vegetal, ash. I know, "vegetal, ash" doesn't sound lovely, but it was.

[NOTE: Updated to correct the spelling of Sam's last name.]

REVIEW: Pi Lo Chun, Tea Gschwendner

TEA GSCHWENDNER
EDMON'S COLLECTION
PI LO CHUN


Apparently, Pi Lo Chun's leaves resembled a snail to the originators of the name of this Chinese green tea; though, again, I'll have to take their word for it. to my eye, the leaves were quite tightly furled and small in size before they were steeped.

LEAVES
The green tea leaves were very green in color, and the steeped leaves were very large in size. I LOVED the smell of the leaves-- like grapes, and ash, and very bright.

THE CUP
This pi lo chun had a lovely golden-green liquor. It apparently has a fairly typical flavor profile for a green: It was fairly ascerbic (which I liked, and which reminds me a bit of some Darjeelings), with a bright, not bitter taste. Rather dry mouth-feeling in the mouth that develops awhile after the sip (the finish). that would translate to, "ascerbic finish" in tea-speak, apparently. This tea had a vegetal taste, with that roasted chestnut hint again, but primarily with a honey taste over all. Great cup of tea!

QUICK NOTE ON WHAT GREEN TEAS TASTE LIKE
Again, I am a green tea newbie, so I was trying hard to catch some of the flavors I would expect to find in a green. Green teas often have a floral flavor, with sometimes vegetal notes like endive. The vegetal taste was very off-putting to me before, but I can see now that brewed correctly, the flavors blend together beautifully. Also, greens can have a roasted chestnut note, or perhaps walnut-- creamy, bittersweet. You can also find flowery flavors and scents: lilac, hyacinth-- warm, floral notes. Since I know next to nothing about flowers, I will have to take his word for it. Also, the astringency is a notable characteristic for greens-- this dry mouthfeel in the finish.

REVIEW: Lu An Gua Pian, Tea Gschwendner

TEA GSCHWENDNER
LU AN GUA PIAN

This translates something like, "melon seed tea," because its leaves are somewhat reminiscent in shape to a melon seed. I'll have to take his word for this, I guess.

Lu An Gua Pian is a green tea, spring flush. It's very mild and smooth, with a pale green liquor. The tea itself had no scent to speak of-- which surprised me, because almost all the teas I'm used to are pretty strongly scented.

I should pause here to say that I am not used to drinking green teas, because in the past they seemed just bitter and unpleasant. Now I know why: At the time I discovered teas, I didn't know what I was doing, and I was certainly steeping the greens in water that was too hot, making it taste like, well, spinach. But my boiling-water-on-leaves worked perfectly well with the black teas, and my taste buds were trained to like those. Hence now I am very attracted to the blacks, but I don't even bother trying the greens.

My mistake. It turns out, I really do like these greens. I am going to have to go a-shopping and learn how to brew these properly

Anyway, the Lu An Gua Pian is very mild and smooth, with a pale green liquor and no scent to speak of. The flavor of the tea was well defined, if a bit remote or restrained: grassy, a bit like a chestnut, like dew, like air. It has a very slightly bitter edge, which develops in the cup over time.

SIDE NOTE: HOW IN THE WORLD DO I GET SAM RITCHEY'S JOB as tea sommelier? I'm green-tea-green with envy. Shouldn't be, but am.

[NOTE: Updated to correct the spelling of Sam's last name.]

REVIEW: Tea tasting, Edmon's Collection, Tea Gschwendner

(Originally posted in Facebook. I will reformat this, with each individual tea getting its own blog post.)

I'm excited. On Wednesday at 7:00 p.m., I've reserved a spot at the Tea Gschwendner "Edmon's Tasting: New Arrivals" event, in Algonquin, Illinois. After the event, I'll post my thoughts on the new teas.

For those of you unfortunate enough not to live near a Tea Gschwendner, they offer a wide variety of high-quality, loose-leaf teas. Edmon's is their top-shelf line, and I'll get to taste this season's first-flush teas (I think) from Nepal, India, China, and Sri Lanka.

I'll bring my notebook to the tasting, so I can remember later in the year just which of these items I'll need to buy. They make the price of the event quite low ($10, including tea and food pairings) on the correct assumption that it's the gateway drug that will force me to dump hundreds of dollars in the season ahead on these withered, brown leaves.

--------------------------------------


AS I AM WRITING THIS MAINLY FOR MYSELF, I am going to kind of blog about my impressions of the overall tea tasting experience, and then the individual teas. This will force me to think through the experience and, hopefully, enable me to remember what I loved. If anyone else is reading this, feel free to skip if it's just too tedious and involved.

ON TEA GSCHWENDNER'S "EDMON'S COLLECTION"
The Edmon's Collection is Tea Gschwendner's top-shelf. The teas can be quite expensive for my pocketbook, but can be amazing. They tend toward the first-flush teas, which are particularly popular in Germany, where TG is mainly located.

How lucky I am to have found this place, only a couple miles from my house! It's one of those things that seems ridiculously coincidental and thankful.

THE TEA LIST
Lu An Gua Pian
China Fancy Pi Lo chun
China Qingshan Lung Ching
Nepal Jun chiyabari First Flush
Darjeeling Lingia First Flush
China Fancy Oolong
Ceylon Lovers' Leap OP
Assam Manalam

THE TEA SOMMELIER
Sam Ritchey is a young guy who is extremely knowledgeable about tea. As you would hope he would be! It sounds silly to say this, but it's nice to be around someone who knows more about tea than I do, because that experience never happens to me. Not that I know so much, but as an American surrounded by a world of coffee drinkers, I'm pretty much alone in this tea passion. Sam has been to the tea estates in China, and Nepal, and Darjeeling, and... well, I don't know where else. He's been learning the craft, and I wonder how knowledgeable he will be in another 20 years or so, and what he'll be doing with that knowlege.

Anyway, Sam Ritchey had a slide show that accompanied the teas above. They had also arranged for some small food pairings-- not a whole meal, just some small nibbles to help contextualize the teas a bit. The Asian teas were accompanied by some crackers with salmon and veggies; the Darjeelings had homemade oatcakes dipped in chocolate, reminiscent of Hobnobs; and the Assam Mangalam was paired with a tiny creme brulee, which served to cut the heaviness a bit.

THE PRESENTATION
There were nine people at the tasting (other than the employees). Smallish crowd, and only none seemed particulary obsessed with tea. It worries me when there are small crowds, because I fear they'll end up closing the shop if they don't get enough attention.

The teas were brought out sequentially, in clear pots and poured into wide, white cups on saucers. This was helpful, because it allowed me to really see the colors of the teas. Additionally, they had small divided bowls that they used to present the leaves in dry and in wet, steeped form. I really like this, because part of my enjoyment of a good tea is to smell and touch the leaves, which gives a whole new level to the experience.

As we were drinking, we took time to smell, look, taste, feel, breathe. Sam would ask us our responses-- again, not many people were terribly responsive, and there were some guys who were obviously dragged there by their girlfriends. But I tried hard to ignore my rising embarrassment at my enthusiasms being nakedly displayed in front of others, because this doesn't come up too often.

[NOTE: Updated to correct the spelling of Sam's last name.]