Showing posts with label Black. Show all posts
Showing posts with label Black. Show all posts

Tuesday, September 9, 2014

Golden Tips Tea, Mankota Exotic Assam 2014: "Oh, that's good. Shut up."

{ "Celtic Gold," by Gea Austen, via DeviantArt }  


"Oh, that's good. Shut up."

When I steeped the Golden Tips "Mankota Exotic Assam," which is from the Mankota tea estate in Assam, India, I was not expecting terribly much. That is to say, I don't typically get excited by Assam teas, because I'm more of a light-and-bright Darjeeling drinker.

The aroma came to me in my office, wafted by my desk fan. Meaty, like beef soup, deep and dark to match the color of the transparent brown liquor. Float a sauteed onion and some carrots in there, and you could serve it for dinner.

Until you hit the taste. Bright yet rich, and as I said, beefy, a touch of a nutty quality, with a pleasing sharpness you wouldn't ordinarily expect with that flavor palette. Fairly simple in its overall manner, yet entirely pleasant.

I followed the packaging directions, 1 tsp, boiling water, 3.5 minutes. Typically I'd try a gongfu presentation, but when I haven't met the tea before, I prefer to follow the instructions of those who know something about it. And if it ain't Baroque, don't fix it. I increased the time to 4.5 minutes for the second steeping, allowing it more time to develop. As always, I try to allow the tea to sit a couple moments before drinking so it can "bloom," to borrow a term from the coffee types. Those first few moments make a big difference to me, causing more complexity to develop in the cup before a tasting.

For my taste, even though I am inclined to ignore Assam teas as a general rule because of the heaviness in the taste coloration, this Mankota by Golden Tips has a light brightness that offsets it and makes it more of a self-drinker. It's not asking for any additional milk or sugar, which is a bit unusual for these heavier-styled teas. It's enjoyable and well worth the time for a couple steepings.

GOLDEN TIPS, a company I've just discovered, has quite an impressive array of India teas from Darjeeling, Assam, Nilgiri, Sikkim, Kangra, and Nepal, each fastidiously marked to establish flush, exact date of picking, and so on. Really nice to see such a variety of high-end teas available for anyone to buy, curated by a company in business since the early parts of the last century. Thank you, GT, for your gift of tea!


Tuesday, August 6, 2013

Tea Horse, Black Keemun Mao Feng

Review of Black Keemun Mao Feng, provided by Tea Horse in the UK.

Welcome, tea appreciators and connoisseurs! Today I bring you a black Keemun Mao Feng, which has been provided to me by my friends at the UK outfit, Tea Horse. I'd like to break down the terms used in the title of this bag of leaves and see what we can understand before we get any hot water boiling. And I have a little story for you, which will give you an idea of the origins of this peculiar, exciting tea.

But before we get started on the tea, a big thought from the God himself, conveyed to us by the prophet Isaiah.

"For He says, 'Order on order, order on order, Line on line, line on line, A little here, a little there.'" --Isaiah 28:10

This verse is brought to remembrance because I was thinking about my readership and the type of knowledge it takes to properly understand the in-voice of a tea blog. And furthermore, how much yet I have to learn. I have something like 80 official followers through the Google doodad, and I don't know how many others who stop by because they read a blurb elsewhere or through a search on "10 ways tea caffeine is better than coffee caffeine," (Ha! Linkbait) and I'm sure that means I have 80 people who know far more than I do about tea who nevertheless have decided to follow The 39 Steeps blog.

So God  gives some good advice about attaining wisdom:

Order on order
Order on order
Line on line,
Line on line 
A little here
A little there

We can't expect to learn all this stuff in a day, a month, or even a decade. Anything worth attaining to is rich enough to drill down deeply into, a mine that will take a lifetime of learning to understand. That being said, you can learn about 80% of what you need to be an "expert," or at least fairly conversant, in a subject in a shockingly short amount of time. That means, take heart ye who are starting to learn about tea, because it doesn't take a long time to get the basics, though it will provide you with a lifetime to find that elusive 20% that only will come to you with much dedication and study.

Order on order, line on line, here a little, there a little. That's a good way to learn about today's tea.

Tea Horse

{National Geographic,
The Tea Horse Road }
First off: "Tea Horse." Of course, it's a company name, right? But behind that little moniker is a reference to the ancient tea route, which was known as the Tea Horse Road, or the Southern Silk Road. Please don't hate me if I use a handy Wikipedia entry to give an overview.


The Tea Horse Road or chamadao (simplified Chinese: 茶马道; traditional Chinese: 茶馬道), now generally referred to as the Ancient Tea Horse Road or chama gudao (simplified Chinese: 茶马古道; traditional Chinese: 茶馬古道) was a network of mule caravan paths winding through the mountains of Yunnan Province in Southwest China. It is also sometimes referred to as the Southern Silk Road. From around a thousand years ago, the Ancient Tea Route was a trade link from Yunnan, one of the first tea-producing regions: to Bengal and India via Burma; to Tibet; and to central China via Sichuan Province. In addition to tea, the mule caravans carried salt. Both people and horses carried heavy loads, the tea porters sometimes carrying over 60–90 kg, which was often more than their own body weight in tea.

It is believed that it was through this trading network that tea (typically tea bricks) first spread across China and Asia from its origins in Pu'er county, near Simao Prefecture in Yunnan.

The route earned the name Tea-Horse Road because of the common trade of Tibetan ponies for Chinese tea, a practice dating back at least to the Song dynasty, when the sturdy horses were important for China to fight warring nomads in the north.

You can learn more by clicking that link above and reading it all, and then going to source materials to really delve into the subject. The Tea Horse Road opened trading in an enormous geographic space, allowing cultures to get to know one another through mercantile enterprise. And even the tea was sometimes affected by the trade. Russian caravan tea, a common style sold everywhere nowadays, came from the practice of the traders making smoky fires on their long trips, sometimes adding smoky fragrance to the tea by the time it arrived in the trading centers of distant Russia. Green teas so often drunk in China might not make it the extreme distances, so black tea was developed to help get this wonderful leaf changed-but-intact to far shores.

As you see, even in the shorthand of a tea company's title, it's line upon line, here a little, there a little. Just keep reading, tasting, and learning, and you're on your way.

Black Tea

As I mentioned before, black tea was not typically drunk much in China. Most of the great Tribute Teas, or the 10 Famous Chinese Teas, were not black teas, which is the type of tea we are most familiar with in the West. The lists for the 10 Famous Teas changes depending upon who is making the list, but here's a pretty handy one for reference, also by the dreaded and much-maligned Wikipedia.

Translated English nameChinesePronunciationPlace of originTypeOccurrences
1Dragon Well西湖龙井Xi Hu Long JingHangzhouZhejiangGreen tea20
2Spring Snail洞庭碧螺春Dong Ting Bi Luo ChunSuzhouJiangsuGreen tea20
3Iron Goddess安溪铁观音An xi Tiě Guān YīnAnxiFujianOolong tea18
4Yellow Mountain Fur Peak黄山毛峰Huáng shān Máo FēngHuang ShanAnhuiGreen tea17
5Mount Jun Silver Needle君山银针Jun shan Yin ZhenYueyangHunanYellow tea14
6Qi Men Red祁门红茶Qi Men Hong ChaQimenAnhuiBlack tea12
7Big Red Robe武夷大紅袍Wu Yi Dà Hóng PáoWuyi MountainsFujianOolong tea11
8Melon Seed六安瓜片Liu ān Guā PiànLu'anAnhuiGreen tea11
9White Fur Silver Needle白毫银针Bái Háo Yín ZhēnFudingFujianWhite tea10
10Pu-erh tea云南普洱Yunnan Pǔ'ěr CháSimaoYunnanPost-fermented tea10

If you want to have a great tea adventure, by all means look up these teas and give them a try. Of course, you won't get the true "Imperial"-grade teas, which stay in China and only get drunk by the friends of the Chinese Communist Party's Politburo. But what we get is good enough for barbarian taste buds, and we can still get an extraordinarily lovely cup anyway. Look at the list above: four greens, two oolongs, a yellow, a white, and a puerh. Oh, and a black. One black tea out of 10 Famous Chinese teas. So when a Chinese tea is designated as a BlacikTea, you know they meant to do that, and quite possibly for foreign consumption, because our tastes are fitted quite nicely for that type of tea. But because it was also designated as one of the Ten Great Teas of China, fit for the emperor, it means this tea can be a rare and refined treat.

Please notice, Chinese generally refer to what we call black tea as red tea. This sometimes causes some confusion with Western purchasers, who also see on the shelves something called, red tea, which is actually a red-colored infusion from the honeybush tree, an entirely different kettle of fish.

Mao Feng

Originally I had thought that mao feng was a reference to the practice of plucking only the freshest tea leaves at the tip of the stem, with a bud and two leaves. Where did I get this completely erroneous idea? Why, Wikipedia, of course. (See? Line upon line, here a little, there a little.) My more knowledgeable tea friends said it is more about the shape of the leaves: long and twisty, hand-plucked, carefully treated. Fur peak is the literal meaning, and it is a production style for this tea that can be steeped longer with less leaf, providing a smooth tea with a unique taste palate.

Keemun

Ah, keemun, or quimen, or qimen, or ;. Remember, this is an English transliteration from a Chinese term, and spellynges can vary. There's probably no right way to spell it, but we go with Keemun for simplicity. Just for kicks, I looked up "Qimen, Huangshan, Anhui, China" in Google Earth, and I found what I was looking for. Qimen, or Keemun, is a tea named after the place it was originally developed.

{ Qimen, Huangshan, Anhui, China }
While I could give you pictures of Qimen, I'll let your Google do the walking instead. Here, I'll simply point out that this region is obviously mountainous, with villages up on peaks, and much green of tea visible from space by Google's cameras. Many tea-growing regions give much of their local economy up to the growing of this scarce resource, and sometimes their economies can suffer when there is a drought or a dip in tea prices. This is not unlike the results of the Potato Famine in Ireland (or even the current state of the city of Detroit), when a location given over to a single crop or product may suffer out of proportion to its potential because they don't have enough of a backup plan if something goes wrong with their production or distribution of what it is they're selling.

A Just-So Story: "How Keemun Tea Came To Be"

nce upon a time, when the world was yet young, and the dew of creation still hung wet upon the glistering leaves; when Brother Raven, and Father Owl, and Sister Otter were still discovering their places in the grand scheme of Nature; and Oscar Wilde was a second-year student at Oxford, and Nikola Tesla began his studies, and Edgar Rice Burroughs was born-- that is to say, 1875-- there was in China a humble bureaucrat of the name Yu Ganchen.

Ganchen grew up in a tea-growing family, as were all the families in his neighborhood in Anhui; but he was known for his frequent bumbles and fumbles. He (and those unfortunate enough to have spent an afternoon picking up after his messes) felt he could not quite fit in as a tea grower like his father and his father before him, so he bent himself upon being the under-prefect of some important-seeming functionary in the depths of the highly organized and restrictive Confucian world of his day. There were plenty of jobs for people who could read and write and shuffle papers about with the appearance of great efficiency. What could go wrong?

Well, unfortunate Ganchen was as marvelous an undersecretary for the assistant prefect of the council for undersecretary affairs (or whatever it was, and don't quote me on that), as he was as a tea grower: that is to say, an utter and categorical failure. While beset by the misfortunes and the many unpleasantnesses that arrive upon the doorstep of any failed bureaucrat in no matter what country or time, he remembered what his Papa had told him: "If all else fails, son of my heart, come back home and make tea."

Well, for lack of anything else to do, he returned, head hanging, tail between his legs, and started making tea. This quickly palled on him, as a humble tea farm did not match the marble floors and inlaid wood of the undersecretary's offices, and he missed the scritch-scritch-scritch of sharply pointed quills writing important diktats to the under-under-undersecretaries to carry out. Alas! Never again would poor Ganchen drink tea in the palace's garden-- so many teas, and so different from the Anhui greens with which he was so familiar-- with his superiors, hoping against hope for someone to die so he could take their place in the great ladder of success that might allow him to return home with a peacock-feather fan and a lovely wife from, perhaps, a family slightly above their own in social status.

Alas, poor Ganchen! In his despair, he took the crop of the day's tea leaves, which he abhorred the very look of-- they stared at him so, saying, "Failure, failure, failure"-- and he tossed them into the corner of his room, refusing to even return their disapproving glares. He sat at his desk, dreaming that he was again surrounded by fragrant cherry trees and the lovely sound of scritch-scritching of such important things.

Sleep came upon Ganchei, as it does to all breathing things. The next morning-- Despair! Failure! He had forgotten entirely to take his day's tea-- which he had taken hours to pluck-- and get them out for proper drying. As we said earlier, Anhui province was famous for its green teas, and a wasted day in growing season was no small thing. Surely, his fathers glower would say-without-saying, "My son, the failure at tea, then the failure at being a useless undersecretary of dung disposal, and now a failure at tea all over again. Oh, Emperor of Heaven, why could I not have had a lovely daughter, even if I'd have to sell all I had to marry her off with a proper dowry? Better than this lout."

Of course, Ganchei's father had thought no such thing, for it was he who had kindly reminded his son that he always had a home, and a work, to return to if for some reason a career in the capitol did not pan out has he had been hoping. But a young man, in the grip of his shame, might be forgiven for projecting such thoughts on a kindly and longsuffering man who wished for nothing but the joy of each of his children, whom he loved more than his own life.

In despair, Ganchei ambled over to the ruined leaves. Instead of the brilliant, rich green, they were now a dull, rumpled brown. "My father will kill me. Or, worse yet, cast me out of the household where I shall have to make a living in the wild world, selling my hair and internal organs to survive." He hadn't thought that latter out as well as he could, which was the mind-set that perhaps might have contributed to his failure as assistant to the undersecretary.

As a sort of last supper, before he would go to his father and bare his failures and the inevitable shame, he pulled out his best teaware-- the imported caledon from far-off Korea, and the tea pot with the slight chip in the pour-- and decided to drink to the dregs this testament to his inadequacies.

"Keemun tea, brought to you by Yu Ganchen, the abysmal." He used his most exquisite gongfu preparations to create this muck which marked the end of yet another unprofitable venture. "Bottoms up, you son of a whore!" he said to himself, as he sipped the first steeping.

Stop. Full stop. Instead of a blasted ruin of some fairly decent tea, he had instead accidentally invented something new. This was not the famed Anhui tea that his entire region centered its economy upon from time out of mind. This was SOMETHING NEW. Rich, with black orchid notes, and something like chocolate (of which he knew nothing), and . . . well, flavors-- dozens and dozens of flavors-- he had never even imagined, even while tasting the great teas while he was working as a minor functionary in a large organization.

SOMETHING NEW. Yes, he, Yu Ganchen, had by accident stumbled upon something new. Well, once is an accident, and twice is a trend. He went out again into his father's fields, picking the most tender and perfect of the leaf tips from the plants, until he had a respectable basket, and he retired to his chambers, claiming a splitting headache. With rolling eyes, the other workers welcomed his departure, so they could get down to work without his constant yammering about undersecretaries this, and jade palaces that, and lovely ladies in costly silk that none of them would ever set eyes upon.

Again, tossing the bag into the corner of his room, he stared at the beautiful calligraphy for patience on his wall, a gift from his departed mother. He made a small offering to his household gods: cheeky, of course, but he took some of yesterday's-- dare he say it?-- exquisite tea and placed it upon the small bowl in his worship nook. Gods from near and far, is this the answer I have long sought? Might it be that you have delivered the humble Ganchen, surname Yu, into something new and wonderful? May it be so. And with that, he tossed a pinch of incense into a tiny fire and prepared for bed.

The next morning: Yes! A bag of leaves that looked and smelled precisely as they had before. He made himself another flight of gongfu, allowing the tea to be steeped through its various voices three, four, five times. This was no mere accident, but a turn of fortune for a most unfortunate son of Yu. Perhaps the goddess of Fortune had finally smiled upon poor Ganchen, allowing this object of scorn and pity to rise.

In his excitement, he broke not one, but two of his private stash of teaware; but no matter. He gathered his things and hurried to his father's rooms. He shouted, he yelled, he howled for the elders of the village to join them. They grumbled that this fool of a failed undersecretary was surely mad, and from bad stock, and would only bring shame upon his family evermore.

Ignoring the muttering, Ganchen prepared his tea. He pulled out the ruined leaves and laid them out in a ceramic bowl for them to view while he prepared the hot water. They glowered and muttered about the ruination of perfectly good leaves, but silenced as the true gongfu ceremony began, which demanded their utmost good manners, even if the ceremony was invoked by such a blockhead by Ganchen, of the family Yu, which had always been respectable until this lunatic showed up.

His father remained carefully silent throughout, which bothered Ganchen immensely. Is father agreeing with the mutters, or does he have deeper thoughts in his mind? Would it matter? Maybe, did I imagine this in my fever madness, and now I shall be finally locked up into a cage of madness or sold off to another village as a shameful clown to be mocked at the mercy of every ruffian who happened by? (And, of course, none of these things would happen, but perhaps we can forgive a young man whose failures had marked his heart and broken it in so many pieces, it would take many years to heal, if it healed it at all.)

Yu Ganchen set out the tea table, pouring boiling water over all the tea implements. He pulled out his best teapot and heated it, and then dropped an appropriate amount of the hideous, brown leaf into the teapot to begin to awaken and breathe. A rich fragrance escaped the pot, and his father closed his eyes. Carefully not watching any of the elders or his father, he poured out the first steeping into the carefully heated cups and, with a tremble and a drip and some splashing, I must confess, filled the cups from left to right and back from right to left. With hands inured to the heat of tea ceremony, he handed each cup carefully to each guest, honoring his father with the last cup.

Ganchen sat back on his heels, with an external mien as calm and smooth as ice. He waited. Each man took his sip, and even the ancient village matron, whose opinion mattered as much or even more than all of the other men combined. Ganchen set about the second steeping. This is where a tea can be made or broken, as everyone knows. The tea has awakened, and now it will show what it's made of. He could hardly breathe has he reached down inside and froze his feelings into a block, allowing him to make the second pour. With no hesitation and the appearance of complete unconcern, he poured.

Cocoa-- which was unfamiliar to him as the scent of copier paper-- overtook his senses, as well as fruits familiar and not, and rich mulchy smells that reminded him of rich beers or freshly overtuned earth. This was no longer the famous Anhui green tea, but--

He finally looked up and saw his astonishment mirrored in the carefully controlled responses of his village's elders. He noticed a twitch in his father's face, which only those who knew them well-- as all did at this table-- that this is what constituted a delighted smile, an epiphany, a bright joy working its way past his near-total control of himself. Ancient Hu, the matron of the village, broke protocol and poured herself the leftover pour from his pot, which he had been preparing to pour over the clay good-luck fish he kept on his table for offerings. The fish pet would get no more tea this day, as once loosed by Ancient Hu, each of the ancients broke out of their accustomed silence and began demanding to know where Ganchen had found such a delightful and surprising tea.

"Is it from Sichuan province?"
"A new kind of puerh?"
"Did this come from the palace?"
"Why did you keep this secret until now?"
"How could you afford such a treasure?"

Father Yu kept his silence.

After a time, and two times, and a measure of time, he looked his son in the eyes over his cooling cup and said, "Son of my heart, what have you discovered? From whence come these leaves, which sing in my heart as no tea has done in my long life?"

Suddenly, Ganchen found pouring out of him the story of his exasperation, his sadness, and the disgusted toss of his day's teas into an untended corner of his room. He described how he forgot them entirely and did not get his day's leaves properly treated for sale. He poured out his heart's shame that he had failed his family, his village, and mostly his father by wasting a perfectly good crop of tea and a day's labor.

Yu Ganchen then described how he had prepared this ruin of a tea as a way of drinking his shame to its dregs, only to find that he had, somehow, by the kindness of the goddess of mercy herself, discovered something new: a black tea that none had ever tasted before. A new thing in a world where new things were usually greeted with fear and suspicion, as they typically upset the good balance of the lives of a thousand generations.

Delighted, the village elders and tea masters set about recreating Yu Ganchen's discovery, and they improved upon some details, adding some steps, removing some wasted motion, and coming up with a method by which they could oxidize the famous Anhui teas and create, well, Keemun teas, now named after the tiny village in which it was developed. Before long, people up and down the Great Tea Horse Road were clamoring for this new tea, and it was sent as a tribute to the Emperor himself. And because this tea was already black, it would not wither and fade on a sea voyage, and Queen Victoria herself tasted this wonderful tea, which eventually became the basis for the English Breakfast tea we enjoy to this day. The village of Keemun became prosperous and happy, with more orders for tea than they could even fulfill. This failure of a fool turned out to be a good luck charm of his own.

All because of a lousy bureaucrat who followed his father's advice and went back to what he had learned as a boy on his Daddy's loving, longsuffering knee.

Little by little, line upon line, bit by bit, a little here, a little there, and eventually we'll find some wisdom that might just change ourselves, our hopes, and even the lives around us. Bravo to opportunities that fail, because they may just open the door to good things we would never have imagined on our own.


{This lady wanted some decent tea.
And she got it. }

the tea

I think my description of the experience of this tea is buried in the story above, so I won't belabor it. It's rich, it's complex, and it's a bit surprising. Take care not to oversteep it, or the bitterness comes out; but experiment with various lengths of steeping and amount of tea, and you'll find something rich and wonderful, which needs no sugar nor milk to cover up the basic flavors. Learn to put up with a touch of bitterness, as it is one of the five basic flavors God has gifted us with, and try this stuff on your own. Then, little by little, line upon line, bit by bit, here a little, there a little, you'll learn more about where this tea comes from, why we drink it, and maybe more about yourself as you learn to take time to indulge your senses.

Thank you, Tea Horse, for your delightful tea. I can't wait to taste more!



Monday, July 15, 2013

I'm in Heaven: Darjeeling Tea Boutique, Longview 1st Flush 2013



Heaven
I'm in Heaven
And my heart beats
So that I can hardly speak
And I seem to find
The happiness I seek
When we're out together
Dancing cheek to cheek

When was the last time you were in the forest, walking along a pathway you've not trodden in, oh, just years, and the delight of seeing that particular curve in the path, or coming upon that expected clearing filled with bluebells makes you wonder how you could ever have waited so long to come back? Well, I just stumbled upon a panorama I've woefully been missing without knowing it.

My friends at Darjeeling Tea Boutique sent me a package today, and I just happened to have enough time in my schedule to open it up and make a cup. As my irregular readers know, I was in business making tea reviews with a friendly regularity for a bit over a year, and then I stumbled when I found every cup I had to drink required an accompanying essay. With a clever twist, or an amusing anecdote, or something so it wasn't just some guy saying, "Oh, well, this tea from x is plummy, with notes of pretension, and an underlying insouciance I find vaguely similar to motorboats and Chopin nocturnes, if you know what I mean, and I think you do." 

So feeling refreshed from a long hiatus, I can say, I am delighted that I have a decent Darjeeling in my clutches again. It's been a long time-- so long, it's a bit embarrassing, to tell the truth.  And by decent, I mean this particular cup is so fragrant, so vibrant, I wonder how I've been living on such gruel for so long.

Using tea terms, this is SFTGFOPI Clonal AV2, First Flush 2013, Longview Tea Estate. Or "Longview Queen," for short. 

Longview Estate, in Darjeeling, India, is at a lower elevation than many other tea estates, though some parts of the estate climb pretty high, allowing for that prized "highgrown tea" appellation. I can't tell you at what altitude this Longview Queen tea is grown, but it seems the tea has gotten enough sun and at such an elevation that this presents like a quite nice Darj., with the brightness and complexity you are looking for.

In contradistinction to many tea connoisseurs (and I'm merely an appreciator, so pardon my clumsy attempt to speak of things above my station), I don't hold much to making tea The English Way when it comes to a good Darjeeling. I go with my own modified gongfu method, which is Chinese for "Careful preparation: lots of leaf, short steep times, as many steepings as you can get." I find that even non-Chinese teas do well with this method.

{ I wish I had a dog's nose }
I'm on my third steeping, using my gaiwan set, which is a Chinese lidded cup. When you drink a cup of tea, first start by smelling the leaves when they're dry. Just open up the tin or container and take a good whiff. Pay attention to what you are smelling. Remember, your mouth only has five different tastes it can identify, but the nose can identify tens of thousands of nuances. Sadly, we're from a species that only has a very limited sense of smell, but we must do the best with what we have. Have a look at the leaves. Are they whole? Are they curly, tightly balled, long, short, broken, whole, no stem, lots of stem?

My second step is to get my lidded up hot with boiling water, pour off the water, and pour in a large amount of leaf-- perhaps two to three tablespoons' worth. I cover the cup with the lid, and I shake the leaves gently-- I don't want to bruise the gin, as it were. Open the lid lightly, and allow the aroma of the leaves, which are now beginning to wake up after a long sleep, to catch you. Is it different from what you smelled a few moment before, when the tea was dry and cool? Does it smell like flowers, or like spices, or like fruit, or like something else you can't quite put your finger on? Have a quick look. Are the tea leaves opening up a bit? Ideally, they will end up looking like, well, leaves fresh off a tree, not like powder or dust.

After this, I pour the hot water over the leaves, from as great a height as I can without splashing everywhere, especially on myself. Hot temperature plus pressure equals flavor and aroma. Quickly cover the tea with the lid and wait for less time than you'd think-- 30 seconds or so, not much more. 

{ This dog looks like
the Dowager Countess Violet
from Downton Abbey, no? }
NOTE FOR DARJEELING NEWBIES: Don't let your tea oversteep. Darjeeling is the Dowager Countess of tea. It's temperamental and likely to give you a biting, sharp reply if you don't treat her with the deference she deserves. Unlike a typical Twining's or whatever you may be used to, you can't just pop the tea in the water and let it sit for 5 minutes or so, or whenever you feel like pulling out the teabag. No, no, no, and again I say, No. Just-under-boiling water and short steeps. Say it again: "short steeps." If you let it go long, you'll walk away thinking, "I guess I don't like Darjeeling tea," when you probably just did it wrong. A good way would be to steep perhaps 2.30 or 3.00 minutes max. But if you do this in the Chinese gongfu method, with lots of leaf and short steeps, we're talking 20-second steepings at maximum for the first couple times. Darjeelings don't stand up to multiple steepings as well as oolongs or puerhs do, but you should get a good three or four steepings out of them, maybe even up to six if you have something good going.

Again, listen to the tea. Are its leaves starting to "wake up" and unfurl? What color are they now? This Darjeeling Tea Boutique tea, SFTGFGOP1 Clonal AV2 First Flush, Longview Estate tea is a multi-hued leaf with visual variations between forest green to a ruddy rust brown, with a predominantly reddish hue. Plenty of leaf, quite a few broken leaves, a few that are whole from stem to stern. And fragrant! If someone could turn this into a perfume and give it to my wife, well, I'd get even less tea writing done than I do.

{ Gongfu does not mean karate.
It means making tea the smart way. }
With gongfu, slowly increase the number of seconds you steep the tea on each pour. Start with 30, move up to 40 or 45, and start to judge how much you will need to increase to get more out of the leaf from that point on. You can steep up to several minutes toward the end, trying to get the last bit of flavor and aroma from these wonderful leaves. You have to experiment, play around with the leaves yourself, to see what they will do for you. Pay attention to the aroma by swirling the tea in your mouth and using your nose over the cup. Notice how the tea's chi is affecting you-- chi being the mystical Chinese concept of energy, or power; but from my worldview, it's probably the felicitous combination of caffeine with a number of relaxants, heat, and the time it takes to slow down and enjoy something.

Over time, you'll forget what the tea tastes like. I did. Even though I've had thousands of cups of Darjeeling, it's been a dry spell for far too long, and now I'm reveling in the unexpected-but-familiar experience that a good Darjeeling will allow you.

One of these days, I shall travel to Darjeeling to experience these teas at the estates themselves. Until then, I'll settle for breathing a bit of Darjeeling right here in Illinois.

Thank you, Darjeeling Tea Boutique, for the lovely flight of tea!



Monday, February 8, 2010

INTRODUCING: Chicago Tea Garden's Golden Bi Luo



To my great delight, one of my tea friends of the Chicago Tea Confab, Tony Gebely, has opened the metaphorical doors on Chicago Tea Garden, and by so doing, he is raising the level of Chicago's tea culture.

During our informal tea tastings/gatherings of the Chicago-area folks who blog about tea, Lainie, Tony, Thomas, and I periodically gather for the Chicago Tea Confab, where we discuss the shape of American tea culture-- specifically Chicago's-- and taste treasures from one another's tea troves (though we do try not to be so alliterative, as a general rule). Tony had recently gone on a search for a great, authentic Chinese tea experience and discovered that to get a really great cup of such tea in Chicago, one had to travel up to Evanston to Lainie's favorite, Dream About Tea.

Seriously, for a world-class city, it's a wonder we haven't seen the type of tea Renaissance that has been developing in the U.S. in other population centers, such as San Francisco, or L.A., or New York, or D.C. Where is our Winnie Yu or Imen Shan? While our tea shops can be delightful and instructive (My favorite is TeaGschwendner, and there are many others), Chicagoans still toddle up to Starbucks for their cup of soy-latte macchiato joe.

Which brings me back to Tony. He and his business partner(s) have taken matters into their own hands, and they've started the beautifully named Chicago Tea Garden, which will primarily (as I understand it) sell teas sourced through David Lee Hoffman's extensive tea network, rather than merely reselling teas that can easily be found elsewhere. For Chicagoans, this is a big deal, because it represents a move forward in what tea is available to Chicagoans. TeaGschwendner, Dream about Tea, and Chicago Coffee & Tea Exchange (among others) now have some great company as they collectively build up our tea culture.

The first tea I can report on is Chicago Tea Garden's Golden Bi Luo. I've had and loved Bi Luo Chun before, which is a green tea whose name means, "Snail Spring," a reference to an early Spring-picked tea whose leaves have been hand-rolled into shapes resembling tiny snails. Because this is typically a complex green tea from Jiangsu province, I was very curious about how the "Snail Spring" tea would be treated when sourced from Yunnan province, as a black tea.

THE PREPARATION
Following Chicago Tea Garden's instructions, included in the packaging, I made a number of short steeps at just under boiling (1 min, 1 min, 1.5 min, 1.5 min, &c.), each just slightly longer than the previous, and decanted.

THE LEAVES
Interesting, lovely. The leaves are that golden tippy appearance you'd expect from a golden Yunnan tea, but folded into the snail shapes you'd see with a Bi Luo Chun. The aroma in the tin tickles the nose, a dryish spiciness. The spent leaves are reddish-orange, fully formed leaves, maintaining the two-leaves-and-a-bud appearance they started with. No broken leaves, stems, or dust that I can discern, which speaks of the care that went into the production and shipping.

THE CUP
Over the course of the many steepings, the tea started with a deep reddish-brown cup, which lightened slowly to a pale orange-red. Chicago Tea Garden's description said it would be a golden liquor, but reddish-brown seems a more apt description, at least until the later steepings.

This Golden Bi Luo strongly reminds me somewhat of a Yunnan golden tippy tea, which is of course what it should; with a quite allusively spicy-sweet flavor of black raisins, perhaps, and a surprising smoothness, with no discernible bitterness. A slight burn at the back of the throat accompanies the retronasal huigan, which is the flavor that rises from throat to nose, which then picks up even more flavors in the aftertaste than could be interpreted by the tongue while drinking directly.

Drunk with short steepings, it's a remarkably light cup of tea, with an acerbic edge at the forefront that helps balance the sweetness that follows. I would perhaps experiment with slightly longer steepings, just to see how the tea holds up-- though I would definitely avoid steeping the traditional Western 3 minutes' steeping time, as these leaves seem to want a Chinese-style gongfu method instead. The rolled leaves allow for many steepings, because they release their flavors more slowly than leaves that have not been wound so tightly.

Tony, well done. I definitely look forward to seeing where you go from here. I'm delighted to see what you've got in store for us.



DEAR READER(S): I would be interested in your response to these tea notes, because I'm trying to gauge what kind of information is interesting and useful to you. Wandering meanderings about my childhood memories evoked from the particular tea I'm drinking? Long, involved posts that describe in painful detail each steeping of some pu-erh? Do you want to know more about the production, the terroir, the history of each tea? Or are you pretty happy with the reviews as they are, being that they spring from such a mind as my own, which is good enough for you? And does anybody in God's creation actually read all the way to the bottom of one of these things? And why do you read this blog at all? Is it part of your self-education in all things tea, or are you trying to figure out what teas to buy next, using my descriptions for help in your purchasing decisions? Thank you for your patronage!

Saturday, January 30, 2010

Review: American Tea Room, Puttabong SFTGFOP1Q Darjeeling Muscatel, 2nd Flush 2009

As longtime readers of my reviews know (that is, if they care to remember), I find the Puttabong Estate teas of Darjeeling to be among the greatest in the world. Highgrown, mountain tea plants survive the rough winter and have a shorter growing season than those grown at a lower elevations, causing more intense flavor in the leaves, which is part of why the Himalayan-grown teas of Darjeeling are among the most prized in the world.

THE LEAVES
Smallish twists of pure black, highly fragrant. When they've been steeped, they take on a reddish-brown hue, fairly dark, indicating a highish level of oxidation, consistent with the way second-flush teas are processed. The aroma of the spent leaves is quite faint, easily overpowered by the other kitchen aromas of this morning's breakfast.

THE CUP
At three minutes' steeping time, about 90C, the liquor is quite a dark reddish-brown, crystal clear to the bottom of the cup. The very first moment, when the tea struck my palate, it was rather strikingly bitter (not a quality I look for in a tea, but not one I despise, either), but it quickly resolved into a very smooth cup, very complex.

When I speak of second-flush Darjeelings, "complex" is the characteristic I most highly prize. Layers of flavor reveal themselves on my palate at every sip. First, that bitter note (which may have been caused by my allowing the steeping to take place slightly longer than 3 minutes; life with an infant makes tea steeping times sometimes fall short of a laboratory's strict methologies); followed by an astringency that dried the tongue, reminiscent of a woody fruitiness, like blackberries or other dark berries; and then I notice this is followed by something akin to an aromatic evergreen resin, then other flavors I can't identify but enjoy.

For the second steeping, which I performed at 2:30, 85C, but it was underwhelmingly weak. I would advise a longer steeping. NOTE ON SECOND AND SUBSEQUENT STEEPINGS: I have sought long and hard for some kind of consensus among wise tea masters of whom I have acquaintance, and none of them agree about how to make a second steeping of a black tea like this Darjeeling. So you kind of have to guess and experiment with a tea until you find something that works for your palate.

I find that most people, when reading reviews of this sort, find them to be unhelpful when trying to recreate the exact taste experience of the writer. If you sat next to me while we drank the exact same cup of tea, you'd say, "Evergreen resin? What in the world are you talking about?" Well, perhaps it's best to paint in broader strokes, to convey the general, overarching experience, rather than try to notate personal taste memories that will not carry over to anyone else.

This Puttabong is enjoyable precisely because, as I allow a sip to sit in my mouth for a few minutes, various flavors slowly reveal themselves, ranging from the bitter, to the sweet, to the woodsy, floral, and fruity, and to things I can't identify but are uniquely characteristic of this estate's tea. It's the sheer range of characters that reveal themselves in this tea, one after another, that is so entrancing. It's by no means a tea that can be experienced at once, but rather one that is drunk as though it's a book, being revealed page by page.

The sweetly bright huigan, which is practically the only Chinese tea word I know (and so, yes, I overuse it; I'll work on that in future), is that retronasal experience when the tea is experienced through the back of the throat, entering up into the nasal passages. Did you know, the human tongue can only perceive five basic flavors-- sweet, salty, bitter, sour, and umami-- but the nose can perceive literally thousands of variations of aromas. This means that much of our delight in tea is caused by all those scents floating around within them. The retronasal experience of huigan is primarily caused by those smells, divorced from any of the five tastes perceived on the tongue.

There's a reason I spent almost 20 years of my life drinking primarily Darjeeling teas, and this is why: a second-flush Darjeeling can be an engaging, complex, delightful experience. My only problem with it was the strike of bitterness at the beginning of the drinking experience, but following more religiously the #1 Rule of Darjeelings: NEVER OVERSTEEP, would have served me better.

Monday, July 6, 2009

Comfort Food: Phuguri Estate Darjeeling


In my parents' house, comfort food was (and remains) all-American fare like tomato soup and grilled cheese sandwiches, or stuffed peppers, or Swedish meatballs-- in spite of the fact that none of us are Swedish. When I asked about that, Dad once told me they were made out of ground Swedes. As opposed to air Swedes, I suppose, which are far too difficult to catch. [Ba-dum-dum! Thank you. I'll be here all week.]

Last night's educational but unsatisfying tea-tasting adventure left me wanting something familiar, so this morning as I work, I have returned to my beloved 2008 Phuguri Estate 2nd-Flush Darjeeling FTGFOP1, which I bought from TeaGschwendner not long ago. To my shock, I discover I have not written a review of this tea yet! Rather quickly, because this is a workday, I will try to let you see what I love about this particular Darjeeling.

It's a funny thing, how tastes change over time. Lately, I've been very interested in exploring Chinese green teas and some dan cong oolongs, which I am less familiar with. But the Phuguri provides me the comfort of coming home again. Indeed, this is my go-to tea whenever I am in need, and when I can afford it. It's middlingly expensive, but I can go through it so quickly that it easily blows through my tea budget.

This tea is extraordinary. It's a second-flush Darjeeling, with all the complex notes that attract and keep my attention from the moment I smell the leaves, all the way through to the amazingly complex and long-lasting huigan [sweet aftertaste].

Phuguri Darjeeling is a black tea that appears to be darkly transparent amber. The power of the tea is locked in its flavor, not so much the aroma. The flavor reminds me of Spring honeysuckle, with both smoothness and not-quite-tart astringency at the same time.

The second-flush Phuguri estate Darjeeling never fails to make a completely satisfying cup. Delightful, subtle yet bold, dry yet smooth, with a restrained sweetness I find entirely captivating. It's one of those teas that I drink with my eyes closed, and which I need to return to over and over again. If TeaGschwendner ever stops selling it, I'll have to move to India.

Monday, May 25, 2009

REVIEW: Zhi Tea, Royal Gold


Zhi Tea
2008 Royal Gold


There's a sharp spiciness that is quite elusive, which I've come to think of as that Yunnan taste. It's highly unusual and distinctive. In a way, it reminds me of the aroma of a beehive: pollen-sweet, but with a sharp buzz.

I've moved away from drinking Yunnan teas of late, because I had been drinking them so much in years past. I typically tasted a mid-grade bulk Yunnan, which was sort of the benchmark flavor I came to associate with the region's tea. Coming back to it is rather exciting, because it's like visiting a friend I haven't seen in a while.

For those who have never had a Yunnan: It appears as a black tea, though the Chinese would categorize it as a red. It is full-bodied and has an intensely spicy flavor and a distinct aroma that I find a bit hard to describe, but it's what I always think of as that "Yunnan scent." And the flavor has a very unique flavor profile, as well: spicy, sharp, slightly bitter, slightly sweet, dry, smooth. It's the contrasts in the cup that are so beguiling. The Yunnan red teas are often described as earthy, sometimes smoky, malty (a description of mouthfeel, mostly), floral, honeyed. A fellow named "anodyne" on the ChaDao blog did a fairly extensive survey of Yunnans over a number of blog posts, and these were instructive to me as I began to think about this tea today.

THE LEAVES
These are lovely gold-and-black leaves, tightly twisted (which prevents such quick oxidation of the leaves, allowing them to taste better longer). Upon steeping, a very distinctly spicy aroma comes up from the chocolate-brown leaves, which have unfurled into beautifully long needle shapes. The leaves are quite complete, but no sign of insect bites, which is usually a sign of pesticide-free production.

THE PROCESS
1 tsp tea leaves to 1 cup near-boiling water, in lined Japanese cast-iron tetsubin.

THE CUP

THE FIRST STEEPING
This tea is sharp and spicy, just a bit bitter. My wife likes its smoothness and the cleanness of the flavor. On the other hand, I find it just a bit dry, and the bitterness, I find, slightly off-putting. The liquor is opaque, and I can't see the bottom of the teacup. There's a sharp spiciness that is quite elusive, which I've come to think of as that Yunnan taste. It's highly unusual and distinctive. In a way, it reminds me of a beehive: pollen-sweet, but with a sharp buzz (if you will) that is quite arresting. And there's a honey flavor within that, which seems as though created by some exotic bee somewhere. That being said, that bitterness was just a bit too much for me. On the second cup of the first steeping, I cheated and put in some sugar to ameliorate it. My wife, on the other hand, loved it and was disappointed that we had run out of tea so quickly.

THE SECOND STEEPING
Much of the powerful mouthfeel has gone out of this Yunnan Royal Gold by the time of the second steeping. The liquor is now a transparent brown, clear to the bottom of the cup. A bright earthiness becomes apparent, almost a metallic taste, though in a pleasant way. The bitterness is gone, as well. I definitely recommend taking this tea to at least a second steeping, because there are nuances that are revealed once the more powerful flavors are given their moment in the spotlight, and now can release the stage to the other actors. There's a slight woodiness, as well, which seems unusual with the more watery mouthfeel of the cup.

OVERALL IMPRESSIONS
I really do like this Yunnan, and it's a good reintroduction into this type of Chinese red tea. Strong, bold, interesting flavors to match the spicy, exotic aroma. Thank you, Zhi Tea, for such a great offering.

>> UPDATE: ADDED WEB SITE ADDRESS FOR PURCHASE: http://www.zhitea.com/store/detail.aspx?category=14&section=13&id=539

Monday, May 18, 2009

Review: Zhi Tea, Royal Gold


Reviewing: Zhi Tea Royal Gold

Zhi Tea's Royal gold is familiar, it's friendly, and it's got complexity and intensity enough to make me happy while not needing to be explained to people who don't drink tea every day.

My life has changed a lot since I started writing about teas. For starters, I now have a healthy and happy baby girl of three months. And because I work at home, my tea times have become much more often packaged between bouts of work and diapers and carrying Charis in the football hold that leaves me entirely unable to type, but very able to read with the occasional mouse click. I've had the pleasure of reading many other tea bloggers, who write passionately and enjoyably about this obsession of mine. I find that some of the best tea bloggers, aside from their obvious breadth of knowledge and charming insight, also seem relaxed, and they are not trying to impress the reader. Humility seems to go with the territory, and I will try to emulate that here.

THE TERROIR
Yunnan is the heart of tea, and where it seems to have originated. The Web site reads:

Our organic Royal Gold from Yunnan Province is the queen of China Black tea! This top-most grade is comprised entirely of gold-tipped new-growth spring buds that produce a gorgeous dark gold liquor infusion. After harvesting, the buds are painstakingly hand-sorted, resulting in an exceptionally high-grade tea. When oxidized, these gorgeous buds turn gold rather than black and when steeped, release a rich, smooth flavor with lingering notes of honey, roasted almond, and bing cherry. The flavor will evolve through subsequent infusions (yes!). A royal treat.
I would like to know more from the Zhi Web site: Where in Yunnan is this tea created? What is it like there? How does the terroir affect the flavor of this specific tea? How is this specific vintage distinct from other Yunnan teas out there?

THE TEA
Zhi Tea offers their Royal Gold, which is a Yunnan black tea. The dry tea is made up lovely twists of brown-and-gold tippy leaves, which give off a tiny bit of yellow tea powder from the travel. The leaves are nice and crunchy when I crumble them in my fingers, which means this batch has been kept safe from its archenemy, moisture. Bodes well for a good pot of tea. The tea leaves have a rather dusty smell, like chocolate powder, perhaps. The scent makes me think the subsequent brew will be malty and thick... ah, but not so fast!

THE PREPARATION
Using Great-Grandma's Japanese porcelain teapot, my lovely wife prepared 3 cups barely boiling water with 3 generous tsps of the tea. Generous, because the tea leaves are pretty large and are therefore not too dense in the teaspoon. We steeped the tea for about 3.5 minutes before pouring off.

THE SPENT LEAVES
This is a very fragrant tea. The leaves have a rather spicy, dark, heavy scent, and they unfurl to large, chocolate-brown leaves that remain furled fairly tightly.

THE CUP
...And the cup belies the scent almost entirely. I was expecting heavy, thick, mouthfeel. Some people like this, but I don't particularly. However: I found the tea's flavor and aroma to be very clean and bright, with pungent berry notes and the kind of mouthfeel I would typically expect in perhaps a green or first-flush Darjeeling-- not at all heavy or malty. There is a very bright berry flavor (the Web site suggests bing cherries, and I am certainly willing to accept that), and the finish is quite subtle but lasting. One point of contention: The tea is not at all golden in color, but rather a dark brown, not truly transparent to the bottom of the cup. I did follow the instructions of the Web site, so I am not sure how their in-house preparation differed from mine so much that they arrived at such a result.

THE SECOND CUP
Interestingly, as the tea cools, the flavor dulls considerably. The higher, intense berry notes are gone; and the body note, the heavier chocolate-spice, has gone missing. For my taste, this tea seems to have a very quick life in the cup, and it benefits from being drunk quite hot, just as it leaves the pot. The second cup did not fare very well, and seemed much less interesting than the first cup. This is in opposition to many teas I have enjoyed, particularly from Darjeeling, in which that second cup is where the real business is.

The Half-Dipper Web site includes a nice discussion of the way aromas in tea behave, in this post. Here is a short excerpt from a thoughtful blog post, "Tasting Tea."

When you pour the soup out of the wenxiangbei [aroma cup], you get what perfumers (and modern day biochemists) traditionally term the "top note" or "head note". It's all of the "light" volatile compounds that make it into the nose first - you get lighter, higher notes such as sweetness, floral compounds, etc. Teafolk might call this the beidixiang (BAY DEE SHEE-ANG), lit. cup-bottom scent. Do you get mushrooms? Flowers? Sweetness? If so, what sort of sweetness?

As these disappear, and the "heavier" volatile compounds take over, you get the "bass note" or "body note". Perfumers liken their craft to music, and it's easy to see why. As an engineer, I think in terms of low-frequency spectral content and high-frequency spectral content - it's exactly the same as the audio analogy. (Engineers are great to take to concerti - "oh, listen to the high-frequency components in that section!") This heavier stage consists of deep sugars, richness, lowness, bass notes, that kind of thing. Teafolk might call this the lengxiang (LUNG SHEE-ANG), lit. cool-scent. Molasses? Brown sugar? What do you get at this point?

Sensing of these compounds gives you an indication of the content in various stages of the tea. Often, the aroma correlates with observations made using the mouth, throat, and aftertaste. It can another way to determine what compounds are tucked away inside your tea.
Do please read the article to enrich your own enjoyment of really tasting your tea.

OVERALL THOUGHTS
At any rate, this is the type of tea that benefits from paying it close attention, because it has a lot to offer. Some of the teas I most enjoy seem made for very private enjoyment, but this one is something I would easily see serving at a gathering of friends who don't usually drink tea (like most of my friends), but enjoy having their palates expanded. Zhi Tea's Royal gold is familiar, it's friendly, and it's got complexity and intensity enough to make me happy while not needing to be explained to people who don't drink tea every day.

Friday, May 8, 2009

Green and Black Teas Are Equally Healthful

Tea, whether black or green, has "astounding" healthful properties.

All teas from the camellia tea plant are rich in polyphenols, which are a type of antioxidant. These wonder nutrients scavenge for cell-damaging free radicals in the body and detoxify them, says Weisburger. "Astounding" aptly describes tea's antioxidant power, he tells WebMD. "Whether it's green or black, tea has about eight to 10 times the polyphenols found in fruits and vegetables."

Black and green both have different types of antioxidants than fruits and vegetables. Thearubigins, epicatechins, and catechins are among those listed in a USDA chart. All are considered flavonoids, a type of antioxidant. Brewed green and black teas have loads of those, the chart shows. (Herbal teas may also contain antioxidants but less is known about them, Weisburger says.)


Read the whole thing.

Wednesday, April 22, 2009

REVIEW: Red Leaf Tea, Golden Nepal


Red Leaf Tea, Golden Nepal

THE TERROIR
Nepal is a country in the Himalayas, and its conditions are similar to that of the high Darjeeling lands. Elevations are 4000 to 5000 feet, generally, which cause its highgrown teas to have the intensity you'd see in the Darjeelings. In fact, there are tea farms in Nepal that create teas every bit as good as their Darjeeling counterparts. Nepali tea farms are usually small and family-owned, so there is quite a bit of variety to be found. And because the Nepal brand is not as well known as Darjeeling, it means the prices can be quite reasonable for somewhat similar teas. Let's see what we have here!

THE TEA

...

UPDATE: The nice folks at Red Leaf Tea have corrected their site after I pointed out that they had the wrong description. I deleted the incorrect information from this review, and now will use the new information to complete the review. Thank you, Red Leaf, for being so quickly responsive. Here is the description I find on the Red Leaf Web site:

Similar to Darjeeling tea, this high grown tea originates from the Antu Valley in Nepal. This tea features a pronounced flowery overtone and bright, yet mild flavor. This tea is best when served plain, so that you can enjoy the more subtle flavor qualities of this premium tea.

Sri Antu is in the Ilam District, which in turn is in the Eastern Region of Nepal. Ilam is directly opposite Darjeeling-- in fact, if you are on the tea garden in Ilam, you can see Darjeeling on the other side of the valley. Virtual Tourist describes it thus:

Ilam is the far eastern district of the country, inhabited by people of different colors living in peace and harmony. Neighboring the famous Indian hill town of Darjeeling, it is situated on the foothills of Mount Kanchanjunga, The third highest peak in the world. Ilam is adorned with an almost limitless range of lush-green tea gardens. The rolling hills covered with tea leaves are simply majestic. The thick white fogs alternatively descend to veil the gardens and then suddenly vanish. Greenery prevails all over the hills of Ilam all around the year. Ilam Tea Garden located near Ilam Bazaar and Kanyam Tea Garden located halfway between Terai plain and Ilam Bazaar are the major gardens of Nepal.

THE PREPARATION
2 generous teaspoons with 2 cups just boiled water, cooled to perhaps 210F, in Great-Grandmother's ceramic Japanese teapot. Just over 3 minutes steeping time.

THE LEAVES
The leaves look pretty typical for what you'd see with a cut-tear-curl Darjeeling: small, black leaves, with maybe a hint of golden tippiness. When I smell the dry leaves, I get a very pleasant fruity scent. After steeping, the leaves had a rather dry smell, not as fragrant as I would have expected.

THE CUP
This tea seems has a transparent orange-brown cup, moderately fragrant with nice fruit scent. When I taste the Red Leaf Tea's Golden Nepal, the cherry-like fruitiness reminds me of the only other Nepali tea I have ever drunk, which came from the Jun Chiyabari estate, and is sold by Tea Gschwendner. Not to get into a contest between these two teas, but the flavor profile of this tea is rather similar, though quite a bit more restrained than the Tea Gschwendner offering. I didn't know what to expect from this tea, but it hadn't occurred to me that the regional characteristics of Nepali teas would have such distinct flavor markers that I could pick them out this easily.

The tea has a nice, full mouthfeel, with that pleasing sour cherry, woody flavor and an unusual bite at the back of the throat. I am noticing a floral scent that starts to make itself known as the cup cools slightly.

THE SECOND CUP
As I repeat every time I write (in case this is the first review someone has read), I believe my understanding of a tea is enhanced by drinking a second cup from the first steeping of a pot of tea (after the leaves have been removed), so the magic of chemistry allows the flavor compounds in the teas to react to one another in the heat of the pot, creating new flavors that were not present at the first.

Very nice. The Golden Nepal is quite smooth by the time I get to the second cup of this tea. Naturally sweet without a dry mouthfeel at all; a very well-modulated, light cup of tea that I like quite a bit. To quote an old Buddy Guy song: "...Where the water tastes like cherry wine." The tea is sweet, nicely spiked with something like a sour-cherry flavor. Nice finish, though not dramatic.

AND A SECOND STEEPING, AS WELL
The second steeping is noticeably weaker than the first. Drunk hot, the tea has very little flavor or scent at all. Upon being allowed to move from Hot to Warm, the tea's flavors reassert themselves somewhat, though in more muted fashion than before. At this point, it feels a bit dryer and more ascerbic, a bit less smooth, and not so flavorful.
The second steeping is not terrible, but really not where the heart of this tea can be found.

OVERALL IMPRESSIONS
A lovely tea for those who like Darjeelings and want to try something in the same vein, with a slightly different flavor profile. While not as ecstatic a drinking experience as the Jun Chiyabari was for me, nevertheless I enjoyed this quite a bit, and I'm glad I had the opportunity to taste it. Thank you, Red Leaf Tea, for sharing your tea with us.

REVIEW: Teas Etc., Golden Pearls

REVIEW: Teas Etc., Golden Pearls

In all, a challenging but interesting tea.

I love opening a new package of tea. The scent that greets me tells me something of what the next half hour of my life will be like, and what memories will be evoked by the scents and flavors. Spicy? Sweet? Simple? Complex? Honey and herbs? Grass and sea? Wood and autumn and dry leaves crushed underfoot?

Teas Etc "Golden Pearls" has an aroma that reminds me of thick, hot chocolate, with tones of hot cinnamon, perhaps, or a heavy red berry. The scent is very thick and heady, with such a heavy presence it has an actual mouthfeel.

THE COMPANY
This is called Golden Pearls, distributed by Teas Etc. I don't know much about the tea itself beyond its appearance, because the company's Web site doesn't tell me much about where it is from (beyond the fact that it was grown in Yunnan). Is it highgrown? Single-estate (judging from the evenness of the handmade, beautiful pearls, I would guess, yes)? Which time of the year was it harvested? I can only guess. I hate guessing.

THE TERROIR
Terroir is French for, "placeness," the way a region's environment causes a locally produced tea, or cheese, or wine to take on a unique characteristic that can't be imitated elsewhere. Yunnan, China, is the home of this tea. The Yunnan teas do have a certain flavor profile, but there is enormous variety within the region. I am interested to find what this will be. Yunnan is the ancient origination of the tea leaf, and indeed ancient tea trees here still produce specialized pu-erh and loose-leaf teas that are prized and can be very valuable.

THE PREPARATION
2 heaping teaspoons of the leaves, 2 cups just-under-boiling water (lobster eyes, anyone?), in Great-Grandma's porcelain Japanese teapot. Steeped just over three minutes (which is on the scant side of the company's recommended 3 to 5 minutes).

THE LEAVES
These particular leaves are rolled into golden-and-black balls the size of largish pearls, with the scent I described at the opening of this review. After steeping, the spent leaves took on the appearance of thick needles about a half-inch to an inch long, with a color somewhere between black and milk chocolate. (And why the chocolate metaphors creeping into this review? Glad you asked.) The leaves were perfectly formed, with no damage I could see at all. What care was taken in their manufacture!

The scent was interesting. It smells a bit like bitter, dark chocolate, but with a note of hot spiciness that hits the back of the throat. This is very different from the floral complexity of the Darjeelings I've been indulging in lately.

THE CUP
The liquor is an opaque black. Drunk hot, it is quite heavy, really, even though it was only steeped for 3 minutes. There is quite a bitter edge, which I am not fond of. I know, bitterness is often an integral part of the tea-drinking experiences, as it is one of the five flavors (bitter, sour, salt, sweet, and umami), and using milk and sugar to blunt it seems really a way of cheating nature.

Very strong chocolate overtones, and a sharp spiciness at the back of the mouth. A very serious cup of tea that reminds one of drinking a cup of strong, black coffee. The Yunnan characteristic makes me think a bit of the pu-erhs I drank recently-- that's the terroir coming out-- a bit metallic, even a bit like the smell of the old oil in an automobile repair shop. Actually, the flavor is both very bold and rather elusive-- one sip reminds me of one flavor, but the next sip it's changed, and that first impression is lost forever.

THE SECOND CUP (of the first steeping)
Still quite bitter, which is the predominant characteristic that I notice upon first sipping. The chocolate note is transforming into more like a coffee flavor-- like those coffee-flavored candies my Grandma had in her house, but I couldn't really enjoy. As the tea cools, the bitterness gives way to the very thick coffee-ness. I'm trying not to cheat, but I would ordinarily be tempted drink this with a touch of sugar to cut that bitterness. (In fact, my wife did cheat, and I tasted her cup. Much better. She even went so far as to blunt it with milk and sugar, English style, and that went a long way to mute that harshness.)

SUBSEQUENT STEEPINGS
I have steeped this a second time for a fairly short time-- 30 seconds or so. With second steepings, I've heard advice saying to only steep for maybe 15 or 30 seconds; and others who say to double the steeping time. This will take further study, but at the moment...
ME: How do you like it (a sip of my unsweetened second steeping)?
WIFE: It's good. It's not my favorite.
ME: How did you like your first cup, though?
WIFE: It's good, with the milk and sugar.
And... there you have it. The second steeping is much smoother than the first. The bitterness is almost entirely absent, leaving behind a cleaner, brighter, less heavy brew. There's a greenness in the flavor now, and a grassiness that was completely absent before. Also, that heavy chocolate/coffee flavor is absent when drunk hot. Honestly, I like the second steeping much better than the first, because I am not fond of heavy or bitter teas that require milk and sugar to be drunk.

When allowed to cool a bit in the cup, the second steeping of this tea allows the chocolate flavor to return to the palate, but this time without the bitterness I experienced at first. This is a pleasant surprise I was not expecting. As always, the Chinese thought of everything first-- and their practice of thinking of teas as Hot, then Warm, then Cool is useful when assessing the different stages a tea goes through in its evolution in the cup.

OVERALL IMPRESSIONS
In future, I would consider rinsing the tea for 30 seconds or so to help remove some of that heaviness and bitterness, which made the tea a bit challenging at first... or maybe I should just break down and drink it with milk and sugar, English-style. Obvious care was taken in the creation of this tea-- the leaves were perfectly formed and undamaged in transit halfway across the world-- so I hesitate to go to such extremes. I'm glad the chocolate tone finally made its appearance on the second steeping, and without the bitterness. In all, a challenging but interesting tea.