Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Friday, April 11, 2014

GREEN HILL TEA: "JADE OOLONG (PREMIUM)"

{ That's some jade there, all right. }  
Jade Oolong, (Premium) by Green Hill Tea.

My students wanted to know what "jaded" meant. Of course, I knew the basic meaning: to be tired, cynical, unenthusiastic. But going to the more obvious meaning, it means a faded green, a pale echo of the bright color we see in our mind when we imagine that color.

Green Hill does not identify the source of their Jade Oolong, other than to say it's a high-mountain (2200 feet) crop from China. Generally speaking, I like to know where a tea is from, because I'm still learning and want to educate my palette as I taste. 

So in this case, I rely entirely upon my observations. I infuse with water just below boiling. Unfortunately,  here at work, I rely upon an electric kettle of filtered water, rather than my Japanese white charcoal setup I have at home. 

Dry, the leaves are tight and richly green, and quite fragrant. Wet, they take on a seaweed aroma, not unpleasant, which reminds me of the scent of the seashore. I depend on my sense of smell for my first introduction to a tea, and this is . . . okay, but not an unadorned delight. So this tea is not all about the aroma of the wet leaves, then. Good to know.

The wet leaves are a characteristic Chinese oolong: large leaves, which have readily opened up in the first steeping. So not very tightly twisted. Quite a bit of complete leaf, some broken, very little stem.

FIRST STEEPING. The liquor is -- wait for it -- a pale, jade green. You didn't see that coming at all, did you. The tea is good, quite good. It's a straight shooter, with a moderate vegetal quality, a flowery high range, and very little at the bottom of the register. Smooth, but with a hint of drying, a touch of an edge, which sharpens the senses. This tea wants you to stop and pay attention to it, rather than sitting good-naturedly and minding its own business. I enjoy its smoothness, and the huigan, or aftertaste (one of the few Chinese words I easily remember, so I use it often) holds in the mouth for minutes. Again, quite a straight shooter. The flavor of the tea and the huigan are closely linked, and I do not get a wide variety of flavors that develop in my mouth and nose over time. Though the tea liquor itself is green, it doesn't taste green, if you catch my meaning. It tastes golden-orange: mellow, a hint of brightness, burnished, open, not overpowering.

SECOND STEEPING. On the second steeping, I went rather long, with a moderate amount of leaf. The appearance of the cup is still a clean, pale green, as transparent as you would hope it would be. The cutting edge of the tea has arrived, and the vegetal note is more pronounced. This is not an especially assertive tea, so if you want a tea so strong you can stand a spoon up in it, you'd be better off with a meaty assam or an opinionated Ceylon mix. But even here, the smoothness and laid-back quality of the first steeping is long gone. This oolong is balanced between the acidic brightness, the slight dryness, and the overarching floral smoothness. Nicely done.

SO WHAT ARE THESE OBSERVATIONS ALL ABOUT? you may ask. I want to remember what I drink. I want to remember what I think when I'm cupping tea. Flavor and aroma are tightly bound to memory and place, and I want to capture some of my life I pass through it. This moment is green oolong, lightly sharp flavor, blue sky, end of winter, bare trees, deadlines I need to meet, anxiety I'm holding down, beloved by family, enjoying my teaching job, quiet moment in the midst of some familiar struggles, needing more sleep, wishing I were traveling, enjoying Shakespeare's "As You Like It," and trying to get back to work captioning. In other words, pretty much a normal morning, with a lovely cup of tea worthy of attention, rather than just let slip by unnoticed and unmarked.

Thursday, January 30, 2014

ADAGIO TEAS: "Sencha Premier" is a touch of summer

{ Robert Mullenix, each by name }  


"Oh, that's lovely. That's my favorite so far." This from the principal of my school, as I shared with her a small cup of Sencha Premier, provided by Adagio Teas. Alas, I'm reviewing the last of my stash.

Crisp, deep green leaves when dry. When wet the leaves resemble cut spinach, though of a paler hue. Look at the deep, forest hues in the painting above by my hero and closest friend, Robert Mullenix. The leaves themselves carry that forest underbrush color; and the liquor is, in contrast, the rich golden straw color you can see on the leaves above: yellowish with a hint of orange.

I tend to steep a lot of leaves for short periods, following what I understand of the old gongfu method of preparing tea. I've steeped this tea about four times-- very short steeps, lots of leaf, high temperature (instead of the low 140C you might usually expect for a brew like this if steeped for longer periods). Only the faintest bitterness on the first steeping, and then from then on it was smooth sailing. The second steeping was the richest, with a sensuous energy that made me bounce (calmly and with great decorum) around the office, high energy and lots of focus, enjoying the tea high without any jitteriness.

I did have to go to the bathroom a lot today, though. (TMI? I thought so.) I think I must be one of the best-hydrated people on the planet, though.

Aside from all the purple prose above (I am writing a book, you know), I want to say how much I enjoy this stuff. It's bright, and even months after it's plucking, it's still kicking. Typically, a green tea has a pretty short shelf life, but Adagio did a good job with packaging, which keeps the tea in fairly good condition. None of the flat, uninspired insipidity you'd expect from a green in mid-January.

I hate Winter in Illinois. I look outside the window, and it's been a shifting slate sky all day, reflected in the snow below. Having something that looks and tastes green and reminds me of Summer, and sun, and all things hot . . . well, it's brilliant. And if it can keep me awake through the dismality of this Arctic Vortex thing, well, all the better. I'd rather be hibernating. But instead of that, I'll settle for this. For now. Until I move where the sun is always shining.

Meanwhile, go to Robert's website, and pop over to Adagio to pick up one of their tea gizmos (intenuiTEA), which I use when in the office for all my loose-leaf tea. I was initially reluctant to try such a thing, but it's really pretty ingenious, and I'm glad I've made the leap.

I hope you are all surviving this horrid winter, and please keep warm with a good cup.

{ This is me, thinking of brighter pastures }  



Thursday, August 8, 2013

Tea Horse, Wuyi Yancha

{ I'm late. Well, not yet,
but if I keep fooling around
with this tea blog,
I will be. }
Oh, you tea-blog readers, sitting in your verandas, sipping your top-shelf cognacs and counting the butterflies as they flit through your walled English garden; you world travelers, stopping in at a WiFi station on Mount Everest; you CEOs who are pretending to work while you've cleverly delegated everything, and now it's a choice between your golf swing and a few minutes reading The 39 Steeps. You all think that all I do is, well, what you do. But, no! I am late. I have no time to write a tea blog today. I'm busy! So pardon the unedited writing, the quick typing, and the inevitable typos and stupid verbal tics I employ when I'm in a rush.

However, I have a tea that, if I don't write about it now, I never shall. I'm at the bottom of the package, the last portion, the final bit. If I wait until tomorrow, it'll be too late, and my brilliant observations will slowly fade, like memories of Collette What's-her-name, that girl whom I had a crush on in seventh grade. (Yes, I know her last name, but I'll spare her the humiliation of association with me.) The tea is a Wuyi Yancha, served by Tea Horse in the UK.

Watch the clock. Don't write too much. Pardon me, all, because I type 90 words per minute, and I don't have the time to make this shorter. --Hurry, hurry! Break all your rules about taking your time, so you can get this out and not blow your deadline!

{ Thank you, BoingBoing, for finding this lure. }

I'm going to make you do your homework. You know how to Google, right? Look up Wuyi Yancha. It's an oolong, grown around WuYi, which is to say, the Wu Mountain. (If you say Wuyi Mountain, it's like saying, "Wu Mountain Mountain." Unless I have my Chinese all screwed up, and I don't have the time-- the time!-- to look it up properly to double-check my assertion. Rats. Well, catch me if you can.)

the tea flight

As I finished my first steeping of this tea, gongfu style, of course, and I sat at my computer, the aroma hit. It's deep, with a kind of a musk to it. It's complex and foresty, sort of like a rich plummy taste; but not terribly floral, neither vegetal. You tea drinkers know what I'm talking about. It reminds one of Autumn, of the aroma of the mulch underfoot as you walk through a dark path in the woods, with mature grasses and decayed leaves in the underbrush. It's a deep summer smell, an almost-Fall smell. And it caught me, lured me in. (Ha! See? You knew the lure picture would show up eventually. Don't you love that pig-elephant-bee thing? Brilliant.) 

The flavor on the first, 30-second steeping: A touch weak (my fault), but complex with a beautiful aftertaste that lasts and lasts and lasts. (Missing Oxford commas. I'm late! No time to fix.) There's a sharpness there, along with the deeper notes, which nicely offset one another. This tea might have legs, but I don't know yet.


{ David Bowie's pants might also have legs. }

And the second steeping, clocking in around 40 seconds. The leaves are a deep black with hints of deep green; long, beautiful leaf-looking leaves, just opening up. They had been tightly curled, but now they're relaxing, kind of loosening up their ties, letting their hair down, and getting ready to dance.

{ Relaxed, but not as hostile or byronesque. }

The Yancha is, frankly, just a bit less exciting than I had hoped for. Strongly mineral in quality, rather less fragrant than the first time 'round, and the aroma from the pot is almost nonexistent. Note to self: Occasionally, follow the directions on the package. They said, Brew for three minutes, not for 40 seconds. Maybe, just maybe, they were right.

{ When a tea infusion fails, I doubt myself.
Like this guy, but without any plans to marry my daughter. }
In previous infusions of this tea, I had a livelier time of it, with a good second infusion-- not a knock-your-socks-off experience, but nicely solid, with a lot of flavor to sink your teeth into. Here, I'm thinking I may have used just a touch too few leaves for the amount of water, and I should have let it steep a bit longer for the full potential of the tea.  This shows the difference between, say, a vintage Cab and a tea. For the Cabernet Sauvignon, you just have to (a) keep the bottle an appropriate length of time; (b) open the bottle; (c) choose the right glasses; (d) pour the bottle into the glasses: (e) wait a while so the esters can uncoil, loosing the flavor; and (f) drink-- hopefully with friends.

But with tea, you actually have to make tea. It doesn't come in a bottle, and you have to get to know your teas, learning from them as they teach you how to make them properly. If I had a half-pound of this Wuyi Yancha, I would then relax over the semi-failure of this experiment, and I'd go ahead and make ready for another tea flight. More time! More leaves! Try again, until you get what you get what you came for!

But as it is, I'll have to settle for a rather mediocre drinking experience brought about entirely by me experimenting to see what works and what doesn't.

Still, a pretty nice cup of tea. When I sip it, I am experiencing it mostly in the aftertaste, what lingers on the tongue after the tea's been swallowed. Rich, complex, a touch smoky. I only wish I had listened to directions! I only wish I had more tea! I only wish I had more time to write and think more about this! But I'm going to be late if I write another word of this review, and I must be about my real bread-and-butter business.

Third steeping: Pleasant. Still on the weak side, but I can taste this smoky-musky-fruit thing that makes me think of roasted plums and perhaps an herbal tint, like a muted but distinct wild thyme. This is definitely a tea that opens itself up to you in the aftertaste, as it lingers on the tongue. Don't be fooled by the first bite of the tea, because the retronasal experience is da money. Advice: Allow the tea to sit in the pot for a few minutes for the magic of chemistry to do its work, complexifying the tea and letting it come into its full body. The third steeping was the place I was waiting for, and I'm happy I stayed for it. Now I'm definitely going to be late on my deadline. I blame you, gentle readers!

Thank you, Tea Horse, for allowing me to experiment with your tea!




Tuesday, August 6, 2013

Tea Horse, Black Keemun Mao Feng

Review of Black Keemun Mao Feng, provided by Tea Horse in the UK.

Welcome, tea appreciators and connoisseurs! Today I bring you a black Keemun Mao Feng, which has been provided to me by my friends at the UK outfit, Tea Horse. I'd like to break down the terms used in the title of this bag of leaves and see what we can understand before we get any hot water boiling. And I have a little story for you, which will give you an idea of the origins of this peculiar, exciting tea.

But before we get started on the tea, a big thought from the God himself, conveyed to us by the prophet Isaiah.

"For He says, 'Order on order, order on order, Line on line, line on line, A little here, a little there.'" --Isaiah 28:10

This verse is brought to remembrance because I was thinking about my readership and the type of knowledge it takes to properly understand the in-voice of a tea blog. And furthermore, how much yet I have to learn. I have something like 80 official followers through the Google doodad, and I don't know how many others who stop by because they read a blurb elsewhere or through a search on "10 ways tea caffeine is better than coffee caffeine," (Ha! Linkbait) and I'm sure that means I have 80 people who know far more than I do about tea who nevertheless have decided to follow The 39 Steeps blog.

So God  gives some good advice about attaining wisdom:

Order on order
Order on order
Line on line,
Line on line 
A little here
A little there

We can't expect to learn all this stuff in a day, a month, or even a decade. Anything worth attaining to is rich enough to drill down deeply into, a mine that will take a lifetime of learning to understand. That being said, you can learn about 80% of what you need to be an "expert," or at least fairly conversant, in a subject in a shockingly short amount of time. That means, take heart ye who are starting to learn about tea, because it doesn't take a long time to get the basics, though it will provide you with a lifetime to find that elusive 20% that only will come to you with much dedication and study.

Order on order, line on line, here a little, there a little. That's a good way to learn about today's tea.

Tea Horse

{National Geographic,
The Tea Horse Road }
First off: "Tea Horse." Of course, it's a company name, right? But behind that little moniker is a reference to the ancient tea route, which was known as the Tea Horse Road, or the Southern Silk Road. Please don't hate me if I use a handy Wikipedia entry to give an overview.


The Tea Horse Road or chamadao (simplified Chinese: 茶马道; traditional Chinese: 茶馬道), now generally referred to as the Ancient Tea Horse Road or chama gudao (simplified Chinese: 茶马古道; traditional Chinese: 茶馬古道) was a network of mule caravan paths winding through the mountains of Yunnan Province in Southwest China. It is also sometimes referred to as the Southern Silk Road. From around a thousand years ago, the Ancient Tea Route was a trade link from Yunnan, one of the first tea-producing regions: to Bengal and India via Burma; to Tibet; and to central China via Sichuan Province. In addition to tea, the mule caravans carried salt. Both people and horses carried heavy loads, the tea porters sometimes carrying over 60–90 kg, which was often more than their own body weight in tea.

It is believed that it was through this trading network that tea (typically tea bricks) first spread across China and Asia from its origins in Pu'er county, near Simao Prefecture in Yunnan.

The route earned the name Tea-Horse Road because of the common trade of Tibetan ponies for Chinese tea, a practice dating back at least to the Song dynasty, when the sturdy horses were important for China to fight warring nomads in the north.

You can learn more by clicking that link above and reading it all, and then going to source materials to really delve into the subject. The Tea Horse Road opened trading in an enormous geographic space, allowing cultures to get to know one another through mercantile enterprise. And even the tea was sometimes affected by the trade. Russian caravan tea, a common style sold everywhere nowadays, came from the practice of the traders making smoky fires on their long trips, sometimes adding smoky fragrance to the tea by the time it arrived in the trading centers of distant Russia. Green teas so often drunk in China might not make it the extreme distances, so black tea was developed to help get this wonderful leaf changed-but-intact to far shores.

As you see, even in the shorthand of a tea company's title, it's line upon line, here a little, there a little. Just keep reading, tasting, and learning, and you're on your way.

Black Tea

As I mentioned before, black tea was not typically drunk much in China. Most of the great Tribute Teas, or the 10 Famous Chinese Teas, were not black teas, which is the type of tea we are most familiar with in the West. The lists for the 10 Famous Teas changes depending upon who is making the list, but here's a pretty handy one for reference, also by the dreaded and much-maligned Wikipedia.

Translated English nameChinesePronunciationPlace of originTypeOccurrences
1Dragon Well西湖龙井Xi Hu Long JingHangzhouZhejiangGreen tea20
2Spring Snail洞庭碧螺春Dong Ting Bi Luo ChunSuzhouJiangsuGreen tea20
3Iron Goddess安溪铁观音An xi Tiě Guān YīnAnxiFujianOolong tea18
4Yellow Mountain Fur Peak黄山毛峰Huáng shān Máo FēngHuang ShanAnhuiGreen tea17
5Mount Jun Silver Needle君山银针Jun shan Yin ZhenYueyangHunanYellow tea14
6Qi Men Red祁门红茶Qi Men Hong ChaQimenAnhuiBlack tea12
7Big Red Robe武夷大紅袍Wu Yi Dà Hóng PáoWuyi MountainsFujianOolong tea11
8Melon Seed六安瓜片Liu ān Guā PiànLu'anAnhuiGreen tea11
9White Fur Silver Needle白毫银针Bái Háo Yín ZhēnFudingFujianWhite tea10
10Pu-erh tea云南普洱Yunnan Pǔ'ěr CháSimaoYunnanPost-fermented tea10

If you want to have a great tea adventure, by all means look up these teas and give them a try. Of course, you won't get the true "Imperial"-grade teas, which stay in China and only get drunk by the friends of the Chinese Communist Party's Politburo. But what we get is good enough for barbarian taste buds, and we can still get an extraordinarily lovely cup anyway. Look at the list above: four greens, two oolongs, a yellow, a white, and a puerh. Oh, and a black. One black tea out of 10 Famous Chinese teas. So when a Chinese tea is designated as a BlacikTea, you know they meant to do that, and quite possibly for foreign consumption, because our tastes are fitted quite nicely for that type of tea. But because it was also designated as one of the Ten Great Teas of China, fit for the emperor, it means this tea can be a rare and refined treat.

Please notice, Chinese generally refer to what we call black tea as red tea. This sometimes causes some confusion with Western purchasers, who also see on the shelves something called, red tea, which is actually a red-colored infusion from the honeybush tree, an entirely different kettle of fish.

Mao Feng

Originally I had thought that mao feng was a reference to the practice of plucking only the freshest tea leaves at the tip of the stem, with a bud and two leaves. Where did I get this completely erroneous idea? Why, Wikipedia, of course. (See? Line upon line, here a little, there a little.) My more knowledgeable tea friends said it is more about the shape of the leaves: long and twisty, hand-plucked, carefully treated. Fur peak is the literal meaning, and it is a production style for this tea that can be steeped longer with less leaf, providing a smooth tea with a unique taste palate.

Keemun

Ah, keemun, or quimen, or qimen, or ;. Remember, this is an English transliteration from a Chinese term, and spellynges can vary. There's probably no right way to spell it, but we go with Keemun for simplicity. Just for kicks, I looked up "Qimen, Huangshan, Anhui, China" in Google Earth, and I found what I was looking for. Qimen, or Keemun, is a tea named after the place it was originally developed.

{ Qimen, Huangshan, Anhui, China }
While I could give you pictures of Qimen, I'll let your Google do the walking instead. Here, I'll simply point out that this region is obviously mountainous, with villages up on peaks, and much green of tea visible from space by Google's cameras. Many tea-growing regions give much of their local economy up to the growing of this scarce resource, and sometimes their economies can suffer when there is a drought or a dip in tea prices. This is not unlike the results of the Potato Famine in Ireland (or even the current state of the city of Detroit), when a location given over to a single crop or product may suffer out of proportion to its potential because they don't have enough of a backup plan if something goes wrong with their production or distribution of what it is they're selling.

A Just-So Story: "How Keemun Tea Came To Be"

nce upon a time, when the world was yet young, and the dew of creation still hung wet upon the glistering leaves; when Brother Raven, and Father Owl, and Sister Otter were still discovering their places in the grand scheme of Nature; and Oscar Wilde was a second-year student at Oxford, and Nikola Tesla began his studies, and Edgar Rice Burroughs was born-- that is to say, 1875-- there was in China a humble bureaucrat of the name Yu Ganchen.

Ganchen grew up in a tea-growing family, as were all the families in his neighborhood in Anhui; but he was known for his frequent bumbles and fumbles. He (and those unfortunate enough to have spent an afternoon picking up after his messes) felt he could not quite fit in as a tea grower like his father and his father before him, so he bent himself upon being the under-prefect of some important-seeming functionary in the depths of the highly organized and restrictive Confucian world of his day. There were plenty of jobs for people who could read and write and shuffle papers about with the appearance of great efficiency. What could go wrong?

Well, unfortunate Ganchen was as marvelous an undersecretary for the assistant prefect of the council for undersecretary affairs (or whatever it was, and don't quote me on that), as he was as a tea grower: that is to say, an utter and categorical failure. While beset by the misfortunes and the many unpleasantnesses that arrive upon the doorstep of any failed bureaucrat in no matter what country or time, he remembered what his Papa had told him: "If all else fails, son of my heart, come back home and make tea."

Well, for lack of anything else to do, he returned, head hanging, tail between his legs, and started making tea. This quickly palled on him, as a humble tea farm did not match the marble floors and inlaid wood of the undersecretary's offices, and he missed the scritch-scritch-scritch of sharply pointed quills writing important diktats to the under-under-undersecretaries to carry out. Alas! Never again would poor Ganchen drink tea in the palace's garden-- so many teas, and so different from the Anhui greens with which he was so familiar-- with his superiors, hoping against hope for someone to die so he could take their place in the great ladder of success that might allow him to return home with a peacock-feather fan and a lovely wife from, perhaps, a family slightly above their own in social status.

Alas, poor Ganchen! In his despair, he took the crop of the day's tea leaves, which he abhorred the very look of-- they stared at him so, saying, "Failure, failure, failure"-- and he tossed them into the corner of his room, refusing to even return their disapproving glares. He sat at his desk, dreaming that he was again surrounded by fragrant cherry trees and the lovely sound of scritch-scritching of such important things.

Sleep came upon Ganchei, as it does to all breathing things. The next morning-- Despair! Failure! He had forgotten entirely to take his day's tea-- which he had taken hours to pluck-- and get them out for proper drying. As we said earlier, Anhui province was famous for its green teas, and a wasted day in growing season was no small thing. Surely, his fathers glower would say-without-saying, "My son, the failure at tea, then the failure at being a useless undersecretary of dung disposal, and now a failure at tea all over again. Oh, Emperor of Heaven, why could I not have had a lovely daughter, even if I'd have to sell all I had to marry her off with a proper dowry? Better than this lout."

Of course, Ganchei's father had thought no such thing, for it was he who had kindly reminded his son that he always had a home, and a work, to return to if for some reason a career in the capitol did not pan out has he had been hoping. But a young man, in the grip of his shame, might be forgiven for projecting such thoughts on a kindly and longsuffering man who wished for nothing but the joy of each of his children, whom he loved more than his own life.

In despair, Ganchei ambled over to the ruined leaves. Instead of the brilliant, rich green, they were now a dull, rumpled brown. "My father will kill me. Or, worse yet, cast me out of the household where I shall have to make a living in the wild world, selling my hair and internal organs to survive." He hadn't thought that latter out as well as he could, which was the mind-set that perhaps might have contributed to his failure as assistant to the undersecretary.

As a sort of last supper, before he would go to his father and bare his failures and the inevitable shame, he pulled out his best teaware-- the imported caledon from far-off Korea, and the tea pot with the slight chip in the pour-- and decided to drink to the dregs this testament to his inadequacies.

"Keemun tea, brought to you by Yu Ganchen, the abysmal." He used his most exquisite gongfu preparations to create this muck which marked the end of yet another unprofitable venture. "Bottoms up, you son of a whore!" he said to himself, as he sipped the first steeping.

Stop. Full stop. Instead of a blasted ruin of some fairly decent tea, he had instead accidentally invented something new. This was not the famed Anhui tea that his entire region centered its economy upon from time out of mind. This was SOMETHING NEW. Rich, with black orchid notes, and something like chocolate (of which he knew nothing), and . . . well, flavors-- dozens and dozens of flavors-- he had never even imagined, even while tasting the great teas while he was working as a minor functionary in a large organization.

SOMETHING NEW. Yes, he, Yu Ganchen, had by accident stumbled upon something new. Well, once is an accident, and twice is a trend. He went out again into his father's fields, picking the most tender and perfect of the leaf tips from the plants, until he had a respectable basket, and he retired to his chambers, claiming a splitting headache. With rolling eyes, the other workers welcomed his departure, so they could get down to work without his constant yammering about undersecretaries this, and jade palaces that, and lovely ladies in costly silk that none of them would ever set eyes upon.

Again, tossing the bag into the corner of his room, he stared at the beautiful calligraphy for patience on his wall, a gift from his departed mother. He made a small offering to his household gods: cheeky, of course, but he took some of yesterday's-- dare he say it?-- exquisite tea and placed it upon the small bowl in his worship nook. Gods from near and far, is this the answer I have long sought? Might it be that you have delivered the humble Ganchen, surname Yu, into something new and wonderful? May it be so. And with that, he tossed a pinch of incense into a tiny fire and prepared for bed.

The next morning: Yes! A bag of leaves that looked and smelled precisely as they had before. He made himself another flight of gongfu, allowing the tea to be steeped through its various voices three, four, five times. This was no mere accident, but a turn of fortune for a most unfortunate son of Yu. Perhaps the goddess of Fortune had finally smiled upon poor Ganchen, allowing this object of scorn and pity to rise.

In his excitement, he broke not one, but two of his private stash of teaware; but no matter. He gathered his things and hurried to his father's rooms. He shouted, he yelled, he howled for the elders of the village to join them. They grumbled that this fool of a failed undersecretary was surely mad, and from bad stock, and would only bring shame upon his family evermore.

Ignoring the muttering, Ganchen prepared his tea. He pulled out the ruined leaves and laid them out in a ceramic bowl for them to view while he prepared the hot water. They glowered and muttered about the ruination of perfectly good leaves, but silenced as the true gongfu ceremony began, which demanded their utmost good manners, even if the ceremony was invoked by such a blockhead by Ganchen, of the family Yu, which had always been respectable until this lunatic showed up.

His father remained carefully silent throughout, which bothered Ganchen immensely. Is father agreeing with the mutters, or does he have deeper thoughts in his mind? Would it matter? Maybe, did I imagine this in my fever madness, and now I shall be finally locked up into a cage of madness or sold off to another village as a shameful clown to be mocked at the mercy of every ruffian who happened by? (And, of course, none of these things would happen, but perhaps we can forgive a young man whose failures had marked his heart and broken it in so many pieces, it would take many years to heal, if it healed it at all.)

Yu Ganchen set out the tea table, pouring boiling water over all the tea implements. He pulled out his best teapot and heated it, and then dropped an appropriate amount of the hideous, brown leaf into the teapot to begin to awaken and breathe. A rich fragrance escaped the pot, and his father closed his eyes. Carefully not watching any of the elders or his father, he poured out the first steeping into the carefully heated cups and, with a tremble and a drip and some splashing, I must confess, filled the cups from left to right and back from right to left. With hands inured to the heat of tea ceremony, he handed each cup carefully to each guest, honoring his father with the last cup.

Ganchen sat back on his heels, with an external mien as calm and smooth as ice. He waited. Each man took his sip, and even the ancient village matron, whose opinion mattered as much or even more than all of the other men combined. Ganchen set about the second steeping. This is where a tea can be made or broken, as everyone knows. The tea has awakened, and now it will show what it's made of. He could hardly breathe has he reached down inside and froze his feelings into a block, allowing him to make the second pour. With no hesitation and the appearance of complete unconcern, he poured.

Cocoa-- which was unfamiliar to him as the scent of copier paper-- overtook his senses, as well as fruits familiar and not, and rich mulchy smells that reminded him of rich beers or freshly overtuned earth. This was no longer the famous Anhui green tea, but--

He finally looked up and saw his astonishment mirrored in the carefully controlled responses of his village's elders. He noticed a twitch in his father's face, which only those who knew them well-- as all did at this table-- that this is what constituted a delighted smile, an epiphany, a bright joy working its way past his near-total control of himself. Ancient Hu, the matron of the village, broke protocol and poured herself the leftover pour from his pot, which he had been preparing to pour over the clay good-luck fish he kept on his table for offerings. The fish pet would get no more tea this day, as once loosed by Ancient Hu, each of the ancients broke out of their accustomed silence and began demanding to know where Ganchen had found such a delightful and surprising tea.

"Is it from Sichuan province?"
"A new kind of puerh?"
"Did this come from the palace?"
"Why did you keep this secret until now?"
"How could you afford such a treasure?"

Father Yu kept his silence.

After a time, and two times, and a measure of time, he looked his son in the eyes over his cooling cup and said, "Son of my heart, what have you discovered? From whence come these leaves, which sing in my heart as no tea has done in my long life?"

Suddenly, Ganchen found pouring out of him the story of his exasperation, his sadness, and the disgusted toss of his day's teas into an untended corner of his room. He described how he forgot them entirely and did not get his day's leaves properly treated for sale. He poured out his heart's shame that he had failed his family, his village, and mostly his father by wasting a perfectly good crop of tea and a day's labor.

Yu Ganchen then described how he had prepared this ruin of a tea as a way of drinking his shame to its dregs, only to find that he had, somehow, by the kindness of the goddess of mercy herself, discovered something new: a black tea that none had ever tasted before. A new thing in a world where new things were usually greeted with fear and suspicion, as they typically upset the good balance of the lives of a thousand generations.

Delighted, the village elders and tea masters set about recreating Yu Ganchen's discovery, and they improved upon some details, adding some steps, removing some wasted motion, and coming up with a method by which they could oxidize the famous Anhui teas and create, well, Keemun teas, now named after the tiny village in which it was developed. Before long, people up and down the Great Tea Horse Road were clamoring for this new tea, and it was sent as a tribute to the Emperor himself. And because this tea was already black, it would not wither and fade on a sea voyage, and Queen Victoria herself tasted this wonderful tea, which eventually became the basis for the English Breakfast tea we enjoy to this day. The village of Keemun became prosperous and happy, with more orders for tea than they could even fulfill. This failure of a fool turned out to be a good luck charm of his own.

All because of a lousy bureaucrat who followed his father's advice and went back to what he had learned as a boy on his Daddy's loving, longsuffering knee.

Little by little, line upon line, bit by bit, a little here, a little there, and eventually we'll find some wisdom that might just change ourselves, our hopes, and even the lives around us. Bravo to opportunities that fail, because they may just open the door to good things we would never have imagined on our own.


{This lady wanted some decent tea.
And she got it. }

the tea

I think my description of the experience of this tea is buried in the story above, so I won't belabor it. It's rich, it's complex, and it's a bit surprising. Take care not to oversteep it, or the bitterness comes out; but experiment with various lengths of steeping and amount of tea, and you'll find something rich and wonderful, which needs no sugar nor milk to cover up the basic flavors. Learn to put up with a touch of bitterness, as it is one of the five basic flavors God has gifted us with, and try this stuff on your own. Then, little by little, line upon line, bit by bit, here a little, there a little, you'll learn more about where this tea comes from, why we drink it, and maybe more about yourself as you learn to take time to indulge your senses.

Thank you, Tea Horse, for your delightful tea. I can't wait to taste more!



Monday, July 15, 2013

I'm in Heaven: Darjeeling Tea Boutique, Longview 1st Flush 2013



Heaven
I'm in Heaven
And my heart beats
So that I can hardly speak
And I seem to find
The happiness I seek
When we're out together
Dancing cheek to cheek

When was the last time you were in the forest, walking along a pathway you've not trodden in, oh, just years, and the delight of seeing that particular curve in the path, or coming upon that expected clearing filled with bluebells makes you wonder how you could ever have waited so long to come back? Well, I just stumbled upon a panorama I've woefully been missing without knowing it.

My friends at Darjeeling Tea Boutique sent me a package today, and I just happened to have enough time in my schedule to open it up and make a cup. As my irregular readers know, I was in business making tea reviews with a friendly regularity for a bit over a year, and then I stumbled when I found every cup I had to drink required an accompanying essay. With a clever twist, or an amusing anecdote, or something so it wasn't just some guy saying, "Oh, well, this tea from x is plummy, with notes of pretension, and an underlying insouciance I find vaguely similar to motorboats and Chopin nocturnes, if you know what I mean, and I think you do." 

So feeling refreshed from a long hiatus, I can say, I am delighted that I have a decent Darjeeling in my clutches again. It's been a long time-- so long, it's a bit embarrassing, to tell the truth.  And by decent, I mean this particular cup is so fragrant, so vibrant, I wonder how I've been living on such gruel for so long.

Using tea terms, this is SFTGFOPI Clonal AV2, First Flush 2013, Longview Tea Estate. Or "Longview Queen," for short. 

Longview Estate, in Darjeeling, India, is at a lower elevation than many other tea estates, though some parts of the estate climb pretty high, allowing for that prized "highgrown tea" appellation. I can't tell you at what altitude this Longview Queen tea is grown, but it seems the tea has gotten enough sun and at such an elevation that this presents like a quite nice Darj., with the brightness and complexity you are looking for.

In contradistinction to many tea connoisseurs (and I'm merely an appreciator, so pardon my clumsy attempt to speak of things above my station), I don't hold much to making tea The English Way when it comes to a good Darjeeling. I go with my own modified gongfu method, which is Chinese for "Careful preparation: lots of leaf, short steep times, as many steepings as you can get." I find that even non-Chinese teas do well with this method.

{ I wish I had a dog's nose }
I'm on my third steeping, using my gaiwan set, which is a Chinese lidded cup. When you drink a cup of tea, first start by smelling the leaves when they're dry. Just open up the tin or container and take a good whiff. Pay attention to what you are smelling. Remember, your mouth only has five different tastes it can identify, but the nose can identify tens of thousands of nuances. Sadly, we're from a species that only has a very limited sense of smell, but we must do the best with what we have. Have a look at the leaves. Are they whole? Are they curly, tightly balled, long, short, broken, whole, no stem, lots of stem?

My second step is to get my lidded up hot with boiling water, pour off the water, and pour in a large amount of leaf-- perhaps two to three tablespoons' worth. I cover the cup with the lid, and I shake the leaves gently-- I don't want to bruise the gin, as it were. Open the lid lightly, and allow the aroma of the leaves, which are now beginning to wake up after a long sleep, to catch you. Is it different from what you smelled a few moment before, when the tea was dry and cool? Does it smell like flowers, or like spices, or like fruit, or like something else you can't quite put your finger on? Have a quick look. Are the tea leaves opening up a bit? Ideally, they will end up looking like, well, leaves fresh off a tree, not like powder or dust.

After this, I pour the hot water over the leaves, from as great a height as I can without splashing everywhere, especially on myself. Hot temperature plus pressure equals flavor and aroma. Quickly cover the tea with the lid and wait for less time than you'd think-- 30 seconds or so, not much more. 

{ This dog looks like
the Dowager Countess Violet
from Downton Abbey, no? }
NOTE FOR DARJEELING NEWBIES: Don't let your tea oversteep. Darjeeling is the Dowager Countess of tea. It's temperamental and likely to give you a biting, sharp reply if you don't treat her with the deference she deserves. Unlike a typical Twining's or whatever you may be used to, you can't just pop the tea in the water and let it sit for 5 minutes or so, or whenever you feel like pulling out the teabag. No, no, no, and again I say, No. Just-under-boiling water and short steeps. Say it again: "short steeps." If you let it go long, you'll walk away thinking, "I guess I don't like Darjeeling tea," when you probably just did it wrong. A good way would be to steep perhaps 2.30 or 3.00 minutes max. But if you do this in the Chinese gongfu method, with lots of leaf and short steeps, we're talking 20-second steepings at maximum for the first couple times. Darjeelings don't stand up to multiple steepings as well as oolongs or puerhs do, but you should get a good three or four steepings out of them, maybe even up to six if you have something good going.

Again, listen to the tea. Are its leaves starting to "wake up" and unfurl? What color are they now? This Darjeeling Tea Boutique tea, SFTGFGOP1 Clonal AV2 First Flush, Longview Estate tea is a multi-hued leaf with visual variations between forest green to a ruddy rust brown, with a predominantly reddish hue. Plenty of leaf, quite a few broken leaves, a few that are whole from stem to stern. And fragrant! If someone could turn this into a perfume and give it to my wife, well, I'd get even less tea writing done than I do.

{ Gongfu does not mean karate.
It means making tea the smart way. }
With gongfu, slowly increase the number of seconds you steep the tea on each pour. Start with 30, move up to 40 or 45, and start to judge how much you will need to increase to get more out of the leaf from that point on. You can steep up to several minutes toward the end, trying to get the last bit of flavor and aroma from these wonderful leaves. You have to experiment, play around with the leaves yourself, to see what they will do for you. Pay attention to the aroma by swirling the tea in your mouth and using your nose over the cup. Notice how the tea's chi is affecting you-- chi being the mystical Chinese concept of energy, or power; but from my worldview, it's probably the felicitous combination of caffeine with a number of relaxants, heat, and the time it takes to slow down and enjoy something.

Over time, you'll forget what the tea tastes like. I did. Even though I've had thousands of cups of Darjeeling, it's been a dry spell for far too long, and now I'm reveling in the unexpected-but-familiar experience that a good Darjeeling will allow you.

One of these days, I shall travel to Darjeeling to experience these teas at the estates themselves. Until then, I'll settle for breathing a bit of Darjeeling right here in Illinois.

Thank you, Darjeeling Tea Boutique, for the lovely flight of tea!